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"long on shtick and historical hilarity, it is staged as a backers' audition for an 83.5 million dollar twelve hour stage history of the world from creation to the present. Eighteen side splitting numbers portraying Adam and Eve, Attila the Hun, the building of the pyramids, Julius Caesar and Columbus, among others, give potential investors a taste of the impending extravaganza. In the process, the opulent Park Avenue apartment "borrowed" for the occasion is trashed as the two snatch its furnishings to create makeshift costumes while singing and clowning their way through inventive recreations of the past, stopping occasionally for a little supplicating show biz patter"--Publisher.
A dictionary of short entries on American musicals and their practitioners, including performers, composers, lyricists, producers, and choreographers
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"The Blands want to open a restaurant, but they need cash. Suppose they lure weirdos to their apartment to kill and rob them? Soon, they are a financial success, but disposing of the bodies is a problem. Enter their devious apartment super, Raoul, with a proposition: he will take care of the corpses for a cut (when he's not performing at a tacky nightclub"--Publisher.
"In each entry you will find a synopsis of the musical, its cast size, a list of musical numbers, and Flinn's professional comments on the advantages and disadvantages of producing the show. Flinn also provides licensing information, production notes, photos of many of the plays that give you a look at production requirements, commentary, and statistics on the number of performances that reveal just how successful the original production was. Appendixes include contact information for licensing organizations, authors, composers, and lyricists, and an index offers quick access to individual titles." "If you're planning to produce a little musical, or simply want a quick-reference guide, you need this book."--BOOK JACKET.