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Lee Jung-Woong
  • Language: en
  • Pages: 32

Lee Jung-Woong

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

I was There
  • Language: en

I was There

  • Type: Book
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  • Published: 2011
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  • Publisher: Unknown

None

Sung Soo Kim
  • Language: en

Sung Soo Kim

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

None

The Monstrum
  • Language: en

The Monstrum

  • Type: Book
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  • Published: 2011
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  • Publisher: Unknown

None

The Last Pavilion
  • Language: en
  • Pages: 313

The Last Pavilion

  • Categories: Art
  • Type: Book
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  • Published: 2024-04-18
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  • Publisher: 펜립

This archival publication was launched in conjunction with "Every Island is a Mountain", a special exhibition commemorating the 30th anniversary of the Korean Pavilion at the Venice Biennale.

Allegory of Presence Without Presence: Infinite Incongruity of Shadow
  • Language: en
  • Pages: 48

Allegory of Presence Without Presence: Infinite Incongruity of Shadow

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

스몰 토크 : 뉴욕에서의 대화
  • Language: ko
  • Pages: 172

스몰 토크 : 뉴욕에서의 대화

  • Categories: Art
  • Type: Book
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  • Published: 2020-02-06
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  • Publisher: 북노마드

예술의 문턱은 여전히 높다. 그렇다면 예술이 대중에게 가 닿는 것은 정말로 아득히 먼 일일까? 예술이 우리의 일상으로 들어올 수는 없을까? 서울과 뉴욕이라는 두 도시의 아트 신(Art scene)을 경험한 큐레이터 맹지영과 아트 디렉터 유J는 이런 고민을 안고 『스몰 토크: 뉴욕에서의 대화』를 시작했다. 그들은 열한 번의 대화를 나누고 여섯 개의 짧은 단상을 모으는 과정을 거치며, 서울과 뉴욕, 두 도시의 미술 현장이 사뭇 다름을 알아차렸다. 특히 한국 미술 현장의 대중들은 예술에 대해 어렴풋 거리감을 느끼고 있었는데, 두 ...

Instant Landscape
  • Language: en

Instant Landscape

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

The Journal of the Korean Physical Society
  • Language: en
  • Pages: 838

The Journal of the Korean Physical Society

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

The Years Now
  • Language: en
  • Pages: 90

The Years Now

The 2020 exhibition Harold Mendez: The years now presented a suite of existing and newly commissioned works--including photography, sculpture and sound--by visual artist Harold Mendez at the Reva and David Logan Center for the Arts. Mendez's practice draws on artifacts and rituals from sites across the Americas, spanning from pre-Columbian times to the present, to create poetic assemblages that connect histories of violence and erasure with acts of renewal and remembrance. Building on a process-driven approach, in The years now, the artist employed various techniques such as digital scanning, three-dimensional printing, photo transfer, and sonic amplifications to explore the apparitions of bodies, and the ego across materials, site, and memory. Featuring installation views and research material, this volume is the first substantial monograph dedicated to the artist's work. This publication includes a foreword by director and curator Yesomi Umolu, contributions from scholar and curator Candice Hopkins and poet J. Michael Martinez, an interview with Mendez and curator Katja Rivera, and a print insert created by the artist.