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Xhosa Oral Poetry
This book, first published in 1983, was the first detailed study of the Xhosa oral poetry tradition.
Xhosa Poets and Poetry
"[The book] contains fourteen essays originally published between 1974 and 1996. Based on fieldwork conducted between 1969 and 1985, and on extensive archival research, the first six essays examine the social function of poetry in the community, the element of improvisation in the production of poetry, especially in the poetry of the imbongi, and the structural principles of his poetry. Individual poets are then presented, among them D.L.P. Yali-Manisi, Melikaya Mbutuma, Peter Mtuze and Nontsizi Mgqwetho, the first woman to produce a substantial body of poetry. The concluding four essays are thematic, treating issues introduced by the medium of print: the role of newspapers in fostering literature; censorship and control of the press; the damaging effects of changes in Xhosa spelling and the demand for books for school prescription; and, finally, the suspicion in which Xhosa poets held books and writing."--Back cover.
Publishing from the South
In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages. This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publi...
Grappling With the Beast
This volume contributes rich, new material to provide insights into indigenous responses to the colonial empires of Great Britain (South Africa, Swaziland, Botswana, Zimbabwe (Rhodesia)) and Germany (Namibia) and explore the complex intellectual, cultural, literary, and political borders and identities that emerged across these spaces. Contributors include distinguished global scholars in the field as well as exciting young scholars. The essays link global-national-local forces in history by analysing how indigenous elites not only interacted with colonial empires to absorb, adapt and re-cast new ideas, forms of discourse, and social formations, but also networked with ordinary people to forge new social, ethnic, and political identities and viable social forces. Translated and other primary texts in appendices add to the insights.
The Edda
Twelve essays are presented by outstanding authorities in Nordic medieval studies and range from treatment of broad aspects of the Edda, to consideration of single poems, to analysis of parts of specific works. An attactive and important collection for every scholar of Old Scandinavian.
The Bones of the Ancestors are Shaking
‘In The Bones of The Ancestors Are Shaking, Russell Kaschula provides an ample introduction to the subject of oral poetry, both drawing on earlier accounts and presenting his own material, much of which has hitherto been unavailable in book form. Kaschula presents rich texts and translations of the Xhosa praise poetry for which southern Africa has long been famous, not only in the context of studies of African oral literature, but also among comparative scholars of world literature. The texts and translations in this book are a valuable and attractive addition to the record, ranging as they do from nineteenth-century examples to late twentieth-century praises for Joe Slovo, F.W. de Klerk, the South African soccer squad or Nelson Mandela, the latter being a special focus of the volume.’ — Professor Ruth Finnegan, The Open University, UK
Iziganeko zesizwe
Samuel Edward Krune Mqhayi (1875-1945) was the most prominent South African imbongi of his day, a Xhosa oral poet who declaimed his impromptu poetry on occasions of significance to his people. The author of numerous works of poetry, fiction and non-fiction, biography, autobiography, and translation, Mqhayi's contributions to Xhosa-language newspapers remains unparalleled in scope and volume. This book reclaims and assembles a chronological sequence of Mqhayi's occasional poems, for the most part now unknown. Sixty poems celebrate significant events in the calendar, on occasions of national or international importance. They constitute Iziganeko zesizwe, a chronicle of the nation, between 1900...
The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape
From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.
Unstable Ground
What has gold done to people? What has it made them do? The Witwatersrand in South Africa, once home to the world’s richest goldfields, is today scattered with abandoned mines into which informal miners known as zama zamas venture in an illicit—often deadly—search for ore. Based on field research conducted across more than twenty-five years around these mines, Unstable Ground reveals the worlds that gold made possible—and gold’s profound costs for those who have lived in its shadow and dreamt of its transformative power. From the vantage point of the closure of South Africa’s gold mines, Rosalind C. Morris reconsiders their histories, beginning in the present and descending into ...
The Dassie and the Hunter
This book chronicles the life, times and poetry of extraordinary Xhosa praise poet, the late David Yali-Manisi, and his growing friendship and fruitful working relationship with author Jeff Opland. Opland is a renowned scholar who is recognized world-wide as a foremost authority on Xhosa izibongo or praises. His perceptive account gives insight not only into Manisi himself, but the complex art form of praise poetry-a spontaneous performance art of extraordinary subtlety and sophistication that, as Opland notes, embodies in itself the ancestral culture, history and politics of the Xhosa nation. What is unique about this book is the personal dimension that Opland brings to the subject, fusing impeccable scholarship with self-reflective autobiographical narrative. The book incorporates a variety of styles, from autobiographical to verbatim interview, and its shift of voice reflect the author's own internal journey as his deepening friendship with Manisi works its humanizing alchemy. The book is a celebration of the supreme talent of a gifted African poet, and the interaction of a black and a white South African reaching out to each other.
