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In 1127 Charles the Good, count of Flanders, was surrounded by assassins while at prayer and killed by a sword blow to the forehead. His murder upset the fragile balance of power between England, France, and the Holy Roman Empire, giving rise to a bloody civil war while impacting the commercial life of medieval Europe. The eyewitness account by the Flemish cleric Galbert of Bruges of the assassination and the struggle for power that ensued is the only journal to have survived from twelfth century Europe. This new translation by medieval studies expert Jeff Rider greatly improves upon all previous versions, substantially advancing scholarship on the Middle Ages while granting new life and immediacy to Galbert’s well informed and courageously candid narrative.
DIV In 1127 Charles the Good, count of Flanders, was surrounded by assassins while at prayer and killed by a sword blow to the forehead. His murder upset the fragile balance of power between England, France, and the Holy Roman Empire, giving rise to a bloody civil war while impacting the commercial life of medieval Europe. The eyewitness account by the Flemish cleric Galbert of Bruges of the assassination and the struggle for power that ensued is the only journal to have survived from twelfth century Europe. This new translation by medieval studies expert Jeff Rider greatly improves upon all previous versions, substantially advancing scholarship on the Middle Ages while granting new life and immediacy to Galbert’s well informed and courageously candid narrative. /div
Medieval Arras was a thriving town on the frontier between the kingdom of France and the county of Flanders, and home to Europe's earliest surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion. In A Common Stage, Carol Symes undertakes a cultural archeology of these artifacts, analyzing the processes by which a handful of entertainments were conceived, transmitted, received, and recorded during the thirteenth century. She then places the resulting scripts alongside other documented performances with which plays shared a common space and vocabulary: the crying of news, publica...
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.
This Handbook is the first to consider the interrelated subjects of gender and sexuality in the Eastern Roman Empire from an interdisciplinary perspective. Drawing on both modern theories and Byzantine perceptions, and considering multiple periods and religions (Eastern Orthodox, Islamic, and Jewish), it provides evidentiary textual and visual material support for an analysis of the two linked themes. Broadly, the essays demonstrate that gender and sexual constructs in Byzantium were porous. As a result, they expand our knowledge of not only how sex and gender were conceived and performed but also how ideas and practices shaped Byzantine life. The Routledge Handbook of Gender and Sexuality i...
This study brings together medieval studies and cognitive methodologies in a study specifically aimed at medievalists. It presents a longer history of certain mental health conditions and locates contemporary debates about the mind in a broader historical framework. It considers both the benefits of incorporating insights from contemporary neuroscientific and cognitive studies into the exploration of the past, and the benefits of employing historical models and case studies in order to reflect on modern methods.
The power of monarchs has traditionally been as much symbolic as actual, rooted in popular imagery of sovereignty, divinity, and authority. In Mystifying the Monarch, a distinguished group of contributors explores the changing nature of that imagery—and its political and social effects—in Europe from the Middle Ages to the present day. They demonstrate that, rather than a linear progression where perceptions of rulers moved inexorably from the sacred to the banal, in reality the history of monarchy has been one of constant tension between mystification and demystification.
With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he shows how different versions of these romances, in their varied composite manuscript contexts, necessitate different readings of the "same" works and of their subgenres. Evans considers the manuscript structure of groups of works with different authorship and establishes six models of composite literary structure for Middle English literature. Evans argues that manuscript groupings of romances - and of romances with nonromances - enrich our interpretations of individual romances, romance as a genre, and medieval literary structure. This original study will appeal to readers interested in medieval romance and manuscripts, medieval literary structure, and computer applications in the humanities.
A cross-cultural study of magical phenomena in the Middle Ages. Marvels like enchanted rings and sorcerers’ stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period’s philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. This is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unify...