You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cutting, a form of self-mutilation, is a growing problem in the US, especially among adolescent females. It is regarded as self-destructive behaviour, yet cutters generally do not want to die, but to find relief from psychological pain. This book explores how college students write about their experiences as cutters.
The final volume in a trilogy of works that examine the impact of writing and reading about traumatic subjects. Jeffrey Berman describes ways in which teachers can encourage college students to write safely on a wide range of subjects deemed too personal or dangerous for the classroom.
Affirms the power of writing to memorialize loss and work through grief.
F. Scott Fitzgerald's final completed novel, Tender is the Night, published in 1934 but written during the previous decade, is a quintessentially decadent story of Americans abroad in the Jazz Age. In this accessible collection of essays, an impressive congregation of North American and European scholars presents eleven new readings of this widely studied book. The list of noteworthy contributors, including the general editor of the Cambridge Edition of the Works of F. Scott Fitzgerald and the editors of the F. Scott Fitzgerald Review, makes this volume required reading for Fitzgerald scholars and fans.
Taking Sigmund Freud's theories as a point of departure, Jean-Michel Rabaté's book explores the intriguing ties between psychoanalysis and literature.
In the past twenty years, an increasing number of authors have written memoirs focusing on the last stage of their lives: Elizabeth Kubler-Ross, for example, in The Wheel of Life, Harold Brodkey in This Wild Darkness, Edward Said in Out of Place, and Tony Judt in The Memory Chalet. In these and other end-of-life memoirs, writers not only confront their own mortality but in most cases struggle to "die in character" -- that is, to affirm the values, beliefs, and goals that have characterized their lives. Examining the works cited above, as well as memoirs by Mitch Albom, Roland Barthes, Jean-Dominique Bauby, Art Buchwald, Randy Pausch, David Rieff, Philip Roth, and Morrie Schwartz, Jeffrey Ber...
Doctor Haydock, the resident GP of St. Mary Mead, hopes to cheer up Miss Marple as she recovers from the flu with a little story. The tale revolves around the return of the prodigal son of Major Laxton, the devilishly handsome Harry Laxton. Harry, after leading a life of childish indiscretions and falling head over heels for the village tobacconist’s daughter, has made good and returned to lay claim to his tumbling childhood home and introduce the village to his beautiful new wife. But, the villagers are prone to gossip about young Harry’s past, and one person in particular cannot forgive him for tearing down the old house. Will Miss Marple’s acumen be up to the task of solving the story?
An outstanding collection of essays that presents assessments of literary madness in a variety of topics and approaches. Editor Rieger's (English, Lander U., Greenwood, S.C.) introductory chapter gives a cultural and linguistic history of literary madness, while his concluding chapter describes a course on "Madness in Literature." Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
George Eliot has been widely praised both for the richness of her prose and the universality of her themes. In this compelling study, Peggy Fitzhugh Johnstone goes beyond these traditional foci to examine the role of aggression in Eliot's fiction and to find its source in the author's unconscious sense of loss stemming from traumatic family separations and deaths during her childhood and adolescence. Johnstone demonstrates that Eliot's creative work was a constructive response to her sense of loss and that the repeating patterns in her novels reflect the process of release from her state of mourning for lost loved ones.
Writing can support our wellbeing even under the most difficult life circumstances, helping us to adapt to significant change, make sense of loss, improve our physical and emotional resilience, and foster personal growth. Numerous studies of Expressive Writing have confirmed this, and there are other established methodologies for practice. However, to date, few accounts have offered detailed descriptions showing how and why putting pen to paper can be so beneficial. This book delves deeply into the landscape of Writing-for-wellbeing and demonstrates the transformative power of writing in a wide range of contexts. Topics include personal trauma narratives within the Humanities; a participator...