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For centuries, slaveholding was a commonplace in Brazil among both whites and people of color. Abolition was only achieved in 1888, in an unprecedented, turbulent political process. How was the Abolitionist movement (1879-1888) able to bring an end to a form of labor that was traditionally perceived as both indispensable and entirely legitimate? How were the slaveholders who dominated Brazil's constitutional monarchy compelled to agree to it? To answer these questions, we must understand the elite political world that abolitionism challenged and changed—and how the Abolitionist movement evolved in turn. The Sacred Cause analyzes the relations between the movement, its Afro-Brazilian following, and the evolving response of the parliamentary regime in Rio de Janeiro. Jeffrey Needell highlights the significance of racial identity and solidarity to the Abolitionist movement, showing how Afro-Brazilian leadership, organization, and popular mobilization were critical to the movement's identity, nature, and impact.
A political history of the abolition of slavery in Brazil, this book looks closely at both Afro-Brazilian political mobilization and parliamentary politics to shed light on the origins of the Abolitionist movement and its impact on race relations in Brazil.
"Tremendously impressive, the result of a lifetime of learning. Historical writing at its best." —Marcus Rediker, author of The Slave Ship A history of 19th century slavery in the US, Brazil and Cuba from a critically acclaimed historian of slavery in the Americas The Reckoning offers the first rounded account of the rise and fall of the Second Slavery—largescale plantation slavery in nineteenth-century Brazil, Cuba and the US South. Robin Blackburn shows how a fusion of industrial capitalism and transatlantic war and revolution turbo-charged racial oppression and the westwards expansion of the United States. Blackburn identifies the new territories, new victims and new battle cries of t...
This study focuses on the Brazilian Empire's Conservative Party and its success and failure in constructing a representative, constitutional monarchy to defend a slaveholding plantation society.
Examines debates over sexual honor to explore the ways in which private morality was infused with the cultural politics of nation-building and modernization, and was used to legitimate power differentials based on race, gender, and class.
This new interpretation of the Brazilian anti-slavery narrative, placing Brazil within the global network of nineteenth-century abolitionist activism, uncovers the broad history of Brazilian anti-slavery activists and the trajectory of their work. The Last Abolition is a major contribution to scholarship on the ending of slavery in Brazil.
Although published as part of a series on Brazilian studies, central to this collection are not the concepts of nation or nationhood but those of transnational networks and cross-cultural exchanges. The concept of nation is of limited value to account for the periodical print culture as a global phenomenon marked by transnational movements such as those involving capital flows, commodities, people, ideas and editorial models. In this vein, what these chapters explore is not so much the concept of influence – which often plays a central role in Eurocentric analyses – but those of circulation and interaction. The notion of “circulation” here emphasised is more appropriate to the study of cultural exchanges, focusing on the movements of and engagements with ideas and concepts, as well as the appropriated models and the people involved in the publication and consumption of magazines. What the reader will find in these essays are analysis of numerous processes of transnational cultural negotiations.
This anthology presents a range of interdisciplinary explorations into the urban environment, through film, photography, digital imagery, maps and signage. Contributors examine our fascination with the city through the history of art and architecture, urban studies, environmental studies, cultural geography and screen studies. Bringing together a wide spectrum of urban contexts, Visualizing the City’s diverse essays explore visual representations of urbanism and modernity reflected through the prism of global cultures using an engaging variety of methods and texts.
Conceiving Freedom: Women of Color, Gender, and the Abolition of Slavery in Havana and Rio de Janeiro
Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernization. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernization. Analyzing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with th...