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The Sacred Cause
For centuries, slaveholding was a commonplace in Brazil among both whites and people of color. Abolition was only achieved in 1888, in an unprecedented, turbulent political process. How was the Abolitionist movement (1879-1888) able to bring an end to a form of labor that was traditionally perceived as both indispensable and entirely legitimate? How were the slaveholders who dominated Brazil's constitutional monarchy compelled to agree to it? To answer these questions, we must understand the elite political world that abolitionism challenged and changed—and how the Abolitionist movement evolved in turn. The Sacred Cause analyzes the relations between the movement, its Afro-Brazilian following, and the evolving response of the parliamentary regime in Rio de Janeiro. Jeffrey Needell highlights the significance of racial identity and solidarity to the Abolitionist movement, showing how Afro-Brazilian leadership, organization, and popular mobilization were critical to the movement's identity, nature, and impact.
The Reckoning
"Tremendously impressive, the result of a lifetime of learning. Historical writing at its best." —Marcus Rediker, author of The Slave Ship A history of 19th century slavery in the US, Brazil and Cuba from a critically acclaimed historian of slavery in the Americas The Reckoning offers the first rounded account of the rise and fall of the Second Slavery—largescale plantation slavery in nineteenth-century Brazil, Cuba and the US South. Robin Blackburn shows how a fusion of industrial capitalism and transatlantic war and revolution turbo-charged racial oppression and the westwards expansion of the United States. Blackburn identifies the new territories, new victims and new battle cries of t...
In Defense of Honor
Examines debates over sexual honor to explore the ways in which private morality was infused with the cultural politics of nation-building and modernization, and was used to legitimate power differentials based on race, gender, and class.
The Party of Order
This study focuses on the Brazilian Empire's Conservative Party and its success and failure in constructing a representative, constitutional monarchy to defend a slaveholding plantation society.
The Vigorous Core of Our Nationality
The Vigorous Core of Our Nationality explores conceptualizations of regional identity and a distinct population group known as nordestinos in northeastern Brazil during a crucial historical period. Beginning with the abolition of slavery and ending with the demise of the Estado Novo under Getœlio Vargas, Stanley E. Blake offers original perspectives on the paradoxical concept of the nordestino and the importance of these debates to the process of state and nation building. Since colonial times, the Northeast has been an agricultural region based primarily on sugar production. The area's population was composed of former slaves and free men of African descent, indigenous Indians, European wh...
The Mystery of Samba
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups--poor and rich, weak and powerful--often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
Consuming Visions
Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernization. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernization. Analyzing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with th...
Civilizing Rio
"Conflicts during the Old Republic between Rio de Janeiro's lower orders and their employers, the transit companies, and the state about the effects of 'modernization' resulted in many losses, but also a few victories for the poor. Such popular protests have been marginalized by a historiography that tends to label them 'pre-modern' and to privilege workplace organization and protest over community protest"--Handbook of Latin American Studies, v. 58.
The Last Abolition
This new interpretation of the Brazilian anti-slavery narrative, placing Brazil within the global network of nineteenth-century abolitionist activism, uncovers the broad history of Brazilian anti-slavery activists and the trajectory of their work. The Last Abolition is a major contribution to scholarship on the ending of slavery in Brazil.
Magazines and Modernity in Brazil
Although published as part of a series on Brazilian studies, central to this collection are not the concepts of nation or nationhood but those of transnational networks and cross-cultural exchanges. The concept of nation is of limited value to account for the periodical print culture as a global phenomenon marked by transnational movements such as those involving capital flows, commodities, people, ideas and editorial models. In this vein, what these chapters explore is not so much the concept of influence – which often plays a central role in Eurocentric analyses – but those of circulation and interaction. The notion of “circulation” here emphasised is more appropriate to the study of cultural exchanges, focusing on the movements of and engagements with ideas and concepts, as well as the appropriated models and the people involved in the publication and consumption of magazines. What the reader will find in these essays are analysis of numerous processes of transnational cultural negotiations.
