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Virtual Voyages
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div
Reclaiming Popular Documentary
The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be—and are—made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participat...
Shooting the Family
Shooting the Family, a collection of essays on the contemporary media landscape, explores ever-changing representations of family life on a global scale. The contributors argue that new recording technologies allows families an unusual kind of freedom—until now unknown—to define and respond to their own lives and memories. Recently released videos made by young émigrés as they discover new homelands and resolve conflicts with their parents, for example, reverberate alongside the dark portrayals of family life in the formal filmmaking of Ang Lee. This book will be a boon to scholars of film theory and media studies, as well as to anyone interested in the construction of the family in a postmodern world.
Touch
In Touch, Laura U. Marks develops a critical approach more tactile than visual, an intensely physical and sensuous engagement with works of media art that enriches our understanding and experience of these works and of art itself. These critical, theoretical, and personal essays serve as a guide to developments in nonmainstream media art during the past ten years -- sexual representation debates, documentary ethics, the shift from analog to digital media, a new social obsession with smell. Marks takes up well-known artists like experimental filmmaker Ken Jacobs and mysterious animators the Brothers Quay, and introduces groundbreaking, lesser-known film, video, and digital artists. From this emerges a materialist theory -- an embodied, erotic relationship to art and to the world. Marks's approach leads to an appreciation of the works' mortal bodies: film's volatile emulsion, video's fragile magnetic base, crash-prone Net art; it also offers a productive alternative to the popular understanding of digital media as "virtual" and immaterial. Weaving a continuous fabric from philosophy, fiction, science, dreams, and intimate experience, Touch opens a new world of art media to readers.
Reality TV
Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality TV formats, the book links the rehabilitation of 'Big Brother' to the increasingly important economic role played by the work of being watched. The author enlists critical social theory to examine how the appeal of 'the real' is deployed as a pervasive but false promise of democratization.
Africa. N.S. IV/1, 2022
Articoli / Articles Jorge García Sánchez, The Promotion of Tourism in Carthage (Tunisia) during the American Archaeological Excavations (1921-1925) Federico Cresti, Al-Jaghbūb, the Libyan Holy City of the Ṭarīqa al-Sanūsīya: A Photographic Reconstruction Liliana Mosca, Fianarantsoa, la capitale du sud de Madagascar : de la ville royale à la ville coloniale Dawit Abraha, Nelly Cattaneo, Cinzia Monopoli, Hielen Tekeste Berhe, Asmära: Portraits of a Contemporary City Recensioni / Reviews Florence Brisset-Foucault, Talkative Polity: Radio, Domination, and Citizenship in Uganda (Alessandro Jedlowski) Carlo Piaggia e le sue esplorazioni africane (1851-1882), edited by Luca Lupi (Massimo Zaccaria) Autori / Contributors
The Child in Contemporary Latin American Cinema
What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which...
Rites of Realism
Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspire...
Documenting Gay Men
This book charts an evolution in gay identity within American reality television and documentary film. Through focusing on the performative potential of gay men, it examines the emergence of the independent gay citizen as a bold new voice rejecting subjugation within the media. Through examining productions as diverse as An American Family, Tongues United, Silverlake Life, The Real World, Paternal Instinct, Trembling Before G-D, Queer Eye for the Straight Guy, and many others, this book explores how gay people as teens, devoted couples, parents, inspiring individuals and influential producers have contributed to the progression of gay identity in domestic arenas. These portrayals are played out while discussing AIDS, race, religion, the development of same-sex family forms, the issues of procreation and gay marriage and the changing views of gay men as both creative producers and responsible social agents. In these forms of entertainment, gay social actors as political agents challenge dominant ideas, and invent new social worlds.
German Ways of War
German Ways of War deploys theories of space, mobility, and affect to investigate how war films realize their political projects. Analyzing films across the decades, from the 1910s to 2000s, German Ways of War addresses an important lacuna in media studies: while scholars have tended to focus on the similarities between cinematic looking and weaponized targeting -- between shooting a camera and discharging a gun – this book argues that war films negotiate spaces throughout that frame their violence in ways more revealing than their battle scenes. Beyond that well-known intersection of visuality and violence, German Ways of War explores how the genre frames violence within spatio-affective operations. The production of novel spaces and evocation of new affects transform war films, including the genre’s manipulation of mobility, landscape, territory, scales, and topological networks. Such effects amount to what author Jaimey Fisher terms the films’ “affective geographies” that interweave narrative-generated affects, spatial depictions, and political processes.
