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Wells
“Natives and Settlers provides a beginning to what should be (and should have been) a continuing, respectful discussion.” —Blanca Schorcht, Associate Professor, University of Northern British Columbia. Is Canada truly postcolonial? Burdened by a past that remains ‘refracted’ in its understanding and treatment of Native peoples, this collection reinterprets treaty making and land claims from Aboriginal perspectives. These five essays not only provide fresh insights to the interpretations of treaties and treaty-making processes, but also examine land claims still under negotiation. Natives and Settlers reclaims the vitality of Aboriginal laws and paradigms in Canada, a country new to decolonization.
Magnetic North
“Windburned, eyes closed, this: beneath the keening of bergs, a deeper thresh of glaciers calving, creaking with sun. Sound of earth, her bones, wide russet bowl of hips splaying open. From these sere flanks, her desiccating body, what a sea change is born.” From the endangered Canadian boreal forest to the environmentally threatened Svalbard archipelago off the coast of Norway, Jenna Butler takes us on a sea voyage that connects continents and traces the impacts of climate change on northern lands. With a conservationist, female gaze, she questions explorer narratives and the mythic draw of the polar North. As a woman who cannot have children, she writes out the internal friction of travelling in Svalbard during the fertile height of the Arctic summer. Blending travelogue and poetic meditation on place, Jenna Butler draws readers to the beauty and power of threatened landscapes, asking why some stories in recorded history are privileged while others speak only from beneath the surface.
Seldom Seen Road
Seldom Seen Road is a collection of sharply observed and understated poems about the land and its people, specifically those who have made it grow. Bare bones, full of wit, insight, and fine imagery, they make up a book carefully constructed around a striking vision of the Prairies and its slowly disappearing history. Butler illuminates an oft-hidden world of strong women spanning two centuries, focusing the most powerful sequence of the book, "Lepidopterists", on them. These poems find their place in a tradition of prairie poetry that owes much to the work of such poets as John Newlove, Robert Kroetsch, and others. Combining an exacting attention to detail with organic sensibilities, Seldom Seen Road will grow on you.
Women of Kuwait
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A History of the Cetacean American Diaspora
49 million years ago, the ancestors of modern whales left their terrestrial habitat to embrace the unknown perils of an ocean-based existence. In this new poetry collection, Jenna Le reflects with wit and lyricism on the ways that whales and other fauna, fish, and fowl are defined by their predecessors' immigrant narratives, slyly prodding readers to think about what these animal kingdom anecdotes might have to teach us about the complexities of life for human immigrant families and their descendants. In doing so, she speaks in multiple voices, expressing myriad perspectives, including but not limited to her personal perspective as a second-generation Asian-American descended from Vietnam War refugee parents. She also brings her unusual life experiences as a physician to bear on her storytelling, resulting in a book of verse steeped in the aromas not only of sea salt and ambergris, but also of blood and sweat and antiseptic, love and life and death.
Believing is not the same as Being Saved
Lisa Martin’s new poetry collection seeks the kind of lyric truth that lives in paradox, in the dwelling together of seeming opposites such as life and death, love and loss, faith and doubt, joy and sorrow. Here readers will find a range of moods, tones, and subjects, as well as both traditional and contemporary forms—from sonnets to prose poems. This is a collection imbued with the light of an enduring, if troubled, faith. With its focus on spirit, ethics, and how to live well, Believing is not the same as Being Saved offers a tender meditation on the moments that make a life. There’s a way of speaking as if the difference matters, as if the road home is finite—everything begins and...
Just Be Cool, Jenna Sakai
Fans of Lisa Greenwald and Wendy Mass are sure to fall head-over-heels for this funny, sweet story of crushes, competition, and the confusing reality of middle school. "Heartbreak is for suckers." -- Jenna Sakai When Jenna gets dumped over winter break, it confirms what she learned from her parents' messy divorce: Relationships are risky and only lead to disappointment. So even though she still has to see her ex-boyfriend Elliott at newspaper club, Jenna is going to be totally heartless this semester -- no boys, just books. But keeping her cool isn't always easy. Jenna's chief competition for a big journalism scholarship is none other than Elliott. Her best friend Keiko always seems busy with her own boyfriend. And cute-but-incredibly-annoying Rin Watanabe keeps stealing her booth at the diner she's been hiding at every day after school. Rin is every bit as stubborn and detached as Jenna. And the more Jenna gets to know him, the more intriguing a mystery he seems. Soon Jenna is starting to realize that being a loner is kind of, well, lonely. And letting people in might just be a risk worth taking.
The New Me
'Terrific. So funny' Zadie Smith 'Monstrously depressing but so comic and well observed that I didn't really mind .... It is great' Dolly Alderton 'A dark comedy of female rage' Catherine Lacey 'Brilliant. For fans of Ottessa Moshfegh's My Year of Rest and Relaxation' Pandora Sykes 'Funny, shocking, clever, and hugely entertaining' Roddy Doyle 'A definitive work of milennial literature' Jia Tolentino 'The best thing I've read in years' Emma Jane Unsworth 'Vicious ... hilariously spot on' Guardian In a windowless office, a woman explains something from her real, nonwork life - about the frustration and indignity of returning her online shopping - to her colleagues. One wears a topknot. Anothe...
Watch Your Head
A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.
Grandmother School
Key Selling Points Based on a true story from Phangane village in India’s Maharashtra state, where grandmothers attend the Aajibaichi Shala (school for grandmothers). For many of them, this has been their first time in a classroom. Explores how important education is, especially for girls and women who have historically been left behind. Ellen Rooney’s bright and vivid illustrations shine as this book moves through the effects that the opportunity for education has had on one grandmother. The author dedicated this book to her own grandmother, who never had the chance to go to school. This book encourages readers to think critically about why education has historically been withheld from women and about gender inequality overall, as well as to consider what basic human rights and needs are. Grandmother School was the winner of the 2021 Christie Harris Illustrated Children's Literature Prize.
