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A book like no other! Award-winning author Jennifer Browdy, PhD, creates a magical tapestry of inspiration and exploration, weaving her own story together with the inspiring voices and visions of more than 15 of the writer-activists she calls "worldwrights"--writers who write to right the world, including such beloved mentors as Joy Harjo, Audre Lorde, Jane Goodall. Terry Tempest Williams and many more. Jennifer and the worldwrights invite you on a series of eight Quests, centered around positive qualities that we need more of in life: Clarity, Courage, Vitality, Guidance, Love, Community, Joy and Freedom. Each Quest opens a path for you to explore your life experience through a series of stimulating writing prompts designed to catalyze your memories and imagination, complemented by Jennifer's stunning photos of the natural beauty of Nova Scotia. Join Jennifer on the elemental journey of purposeful memoir, a contemplative practice that opens new portals through which to explore the past, with the goal of understanding the present more fully, and stepping with greater intention into the thriving future we all desire. Are you ready? Let's go!
Eighteen women, including Jamaica Kincaid, Rigoberta Menchú, Cherríe Moraga, Marjorie Agosin, Margaret Randall, Gloria Anzaldúa, Michelle Cliff, Edwidge Danticat, and Julia Alvarez, are featured in this powerful anthology on art, feminism, and activism in Latin America and the Caribbean. Women Writing Resistance highlights Latin American and Caribbean women writers who, with increasing urgency, are writing in the service of social justice and against the entrenched patriarchal, racist, and exploitative regimes that have ruled their countries. Many of the women in this collection have been thrust out into the Latino-Caribbean diaspora by violent forces that make differences in language and...
African Women Writing Resistance is the first transnational anthology to focus on women’s strategies of resistance to the challenges they face in Africa today. The anthology brings together personal narratives, testimony, interviews, short stories, poetry, performance scripts, folktales, and lyrics. Thematically organized, it presents women’s writing on such issues as intertribal and interethnic conflicts, the degradation of the environment, polygamy, domestic abuse, the controversial traditional practice of female genital cutting, Sharia law, intergenerational tensions, and emigration and exile. Contributors include internationally recognized authors and activists such as Wangari Maatha...
This book is the fruit of their collective efforts and provides a unique insight into the lives and thinking of 19 South African-based activists who bring a feminist perspective to their work and daily lives. --
What I Forgot...And Why I Remembered is a must-read for anyone interested in undertaking the inner work necessary for effective activism.This lyrical, hard-hitting memoir sets one American woman's journey against the larger landscape of political upheaval, global climate change, and the recovery of our primary connection to the Earth. In telling the story of a generation who ?forgot? how important the health of our planet is to our personal health and well-being, Jennifer Browdy details her own years of being entranced, both personally and professionally, in patterns of denial and avoidance. Honestly interrogating the challenge of getting privileged Americans to wake up and confront the urgent and uncomfortable realities of our time, she calls on readers to begin the process of transformation at the intersection of the personal, political and planetary.
A groundbreaking book, accessible but scholarly, by African activists. It uses research, life stories, and artistic expression--including essays, case studies, poetry, news clips, songs, fiction, memoirs, letters, interviews, short film scripts, and photographs--to examine dominant and deviant sexualities and investigate the intersections between sex, power, masculinities, and femininities. It also opens a space, particularly for young people, to think about African sexualities in different ways.
2017 Nautilus Silver Award winner! nautilusbookawards.com Warm and informal, this book is like having an experienced writing coach at your elbow. Jennifer Browdy offers guidance and companionship for the aspiring memoirist, encouraging you to dig deep into the storehouse of your memories to share the wisdom that only life experience can bring.
The editors are committed to destroying perceptions and stereotypes of third world women as passive victims who need to be "liberated" by Western feminists. The essays address cases in which women have challenged and resisted the political formations-nationalist struggles, revolutions, religious fundamentalist practices, and authoritarian regimes-that shape their daily lives. Each critic presents a close reading of the circumstances under which the feminist writers and film-makers.
Ugliness or unsightliness is much more than a quality or property of an individual’s appearance—it has long functioned as a social category that demarcates access to social, cultural, and political spaces and capital. The editors of and authors in this collection harness intersectional and interdisciplinary approaches in order to examine ugliness as a political category that is deployed to uphold established notions of worth and entitlement. On the Politics of Ugliness identifies and challenges the harmful effects that labels and feelings of ugliness have on individuals and the socio-political order. It explores ugliness in relation to the intersectional processes of racialization, colonization and settler colonialism, gender-making, ableism, heteronormativity, and fatphobia. On the Politics of Ugliness asks that we fight against visual injustice and imagine new ways of seeing.
This book explores the problematic of reading and writing about third world women and their texts in an increasingly global context of production and reception. The ten essays contained in this volume examine the reception, both academic and popular, of women writers from India, Bangladesh, Palestine, Egypt, Algeria, Ghana, Brazil, Bolivia, Guatemala, Iraq/Israel and Australia. The essays focus on what happens to these writers' poetry, fiction, biography, autobiography, and even to the authors themselves, as they move between the third and first worlds. The essays raise general questions about the politics of reception and about the transnational character of cultural production and consumption. This edition also provides analyses of the reception of specific texts - and of their authors - in their context of origin as well as the diverse locations in which they are read. The essay participate in on-going discussions about the politics of location, about postcolonialism and its discontents, and about the projects of feminism and multiculturalism in a global age.