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"Mixing fable and fact, extraordinary and ordinary, Jennifer S. Cheng's hybrid collection Moon: letters, maps, poems draws on various Chinese mythologies about women, particularly that of Chang'E (the Lady in the Moon), uncovering the shadow stories of our myths--with the belief that there is always an underbelly. Moon explores bewilderment and shelter, destruction and construction, unthreading as it rethreads, shedding as it collects."--Page [4] of cover.
Selected by Claudia Rankine as winner of the 2015 Omnidawn 1st/2nd Book Contest
An innovative approach for explicating and mapping work at the media and performance nexus
Anti-racist Discourse on Muslims in the Australian Parliament examines anti-racist discourse in contemporary Australian politics, in particular, how politicians contest and challenge racism against a minority group that does not constitute a traditional ‘race’. Using critical discourse analysis, this book firstly deconstructs the racist, xenophobic and discriminatory arguments against Muslims. Secondly, it highlights the anti-racist counter-discourse to these arguments. Since blatantly racist statements are less common nowadays, the book focuses on manifestations of ‘culturalist racism’. It does this by investigating how talk about Muslims positions them as not Australian or as not belonging to Australia – the book takes such ‘discursive exclusion from the nation’ as one of the most widespread forms of ‘culturalist racism’ in Western liberal-democracies. In addition to contributing to the theoretical discussion on the relationship between Muslims, racism and anti-racism, the book expands on methods that apply critical discourse analysis and the discourse-historical approach by providing a practical guide to analysing anti-racist political discourses.
A book-length sequence of text-image diptychs by Heidi Van Horn.
An astonishingly moving middle-grade debut about a space-obsessed boy's quest for family and home. All eleven-year old Alex wants is to launch his iPod into space. With a series of audio recordings, he will show other lifeforms out in the cosmos what life on Earth, his Earth, is really like. But for a boy with a long-dead dad, a troubled mum, and a mostly-not-around brother, Alex struggles with the big questions. Where do I come from? Who's out there? And, above all, How can I be brave? Determined to find the answers, Alex sets out on a remarkable road trip that will turn his whole world upside down . . . For fans of Wonder and The Curious Incident of the Dog in the Night-Time, Jack Cheng's debut is full of joy, optimism, determination, and unbelievable heart. To read the first page is to fall in love with Alex and his view of our big, beautiful, complicated world. To read the last is to know he and his story will stay with you a long, long time.
The first anthology of its kind, The World I Leave You: Asian American Poets on Faith and Spirit spotlights poets of the Asian diaspora with connections to East, West, South, and Southeast Asia and the Pacific Islands who represent a variety of cultures and religious traditions including Islam, Hinduism, Christianity, Buddhism, and Zoroastrianism. Among the contributors are active religious practitioners, recent converts, agnostics, and those who practice a personal spirituality. This vibrant collection includes many of this generation's most acclaimed writers and exciting new voices to create a nuanced and dynamic portrait of today's Asian American poets and their spiritual engagements with issues such as poetry as spiritual witness, locating the divine in the natural world, relationships with cultural history and ancestors, spiritual practice as a form of political resistance, questions of faith and doubt, and prayers and rituals.
How long can I keep tricking you into thinking what I'm doing is poetry and not me begging you to let us live?
A debut collection unraveling the mythologizing forces of control