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Kirchner's late work in dialogue with a little-known Danish fellow expressionist In exile in Davos, Ernst Ludwig Kirchner (1880-1938), cofounder of the Die Brücke group, managed to produce a stunning cycle of pictures before committing suicide at the age of 58. Nature, specifically the breathtaking mountains of the region, appears as an intoxicating space in intense colors where the dignity of the human figure is negotiated in a dynamic aesthetic. This colorful volume is the first to allot critical appraisal of one of the most important chapters in Kirchner's imposing later work. Kirchner's bright fiery compositions are here placed in conjunction with another expressionist living in self-imposed exile during the same years: Danish painter J.F. Willumsen (1863-1958). The juxtaposition of Kirchner and Willumsen poses a visually persuasive and entirely new perspective on an intense, colorful and vital vision of painting from the 1910s-1930s.
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What do the sculptor Bertel Thorvaldsen (1770-1844), the Symbolist Jens Ferdinand Willumsen (1863-1958), and the artist Asger Jorn (1914-1973) have in common besides the international outlook that made them leave their Danish motherland? They lived in different eras, yet built up vast artist collections that echo as well as pollinate their own artistic practice in similar ways. Thorvaldsen was known for his expertise in antique art, Willumsen as an El Greco expert, and Jorn--a co-founder of COBRA and the Situationist International--strove to make modern art accessible to a broad audience. All three of these artists' art collections, now in public museums, each carry an individual style that does not espouse collecting art chronologically, but rather intuitively. This uniquely designed catalogue presents the artists' different approaches to collecting, which shook up the museum landscapes of the nineteenth and twentieth centuries.