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Gordon Merrick and the Great Gay American Novel is the first biography of Gordon Merrick, the most commercially successful writer of gay novels in the twentieth century. This book shows how Merrick’s novels were largely based on his own life and time as a Princeton theater star, a Broadway actor, a New York reporter, an OSS spy, and the friend of countless artists and celebrities as an expatriate in France, Greece, and Sri Lanka. He lived much of his life as an openly gay man with his longtime partner, Charles Hulse. His 1970 novel, The Lord Won’t Mind, broke new ground by showing that an affirming, explicitly gay novel could be a bestseller. His subsequent gay novels were both a cultural phenomenon and a lightning rod for literary critics. This book also examines the complex, often conflicting responses to Merrick’s novels by gay readers and critics, and it thus recovers the early post-Stonewall debates over the definition of “gay literature.” By reconstructing Merrick’s life and critical fortunes, this book expands our understanding of what it means to be a gay man in the twentieth century.
A precocious American youth who entered the orbit of American and British expatriates populating Paris and the South of France in the 1920s, George Platt Lynes went on to become a supremely assured portrait photographer documenting the great figures of literature, painting, opera, and dance of mid-twentieth century. This new biography tells his story in full.
More than ten years in the making, this comprehensive single-volume literary survey is for the student, scholar, and general reader. The Continuum Encyclopedia of American Literature represents a collaborative effort, involving 300 contributors from across the US and Canada. Composed of more than 1,100 signed biographical-critical entries, this Encyclopedia serves as both guide and companion to the study and appreciation of American literature. A special feature is the topical article, of which there are 70.
These five short stories by Gavin Atlas explore gay lust at its finest. Meet young exhibitionists in “La Playita” and “Long Time Coming.” Prefer voyeurism? Try “Snapshots of Seduction,” where a go-go boy entices with every pose he strikes. In “Love and Rockets,” a young sub is rescued from the grasp of a cruel master by a loving man. Finally, in “The Highest Bidder,” a guy auctions off his body only to be won by his ex, who’s the most punishing top he’s ever known. There’s no need to delay gratification any longer. Quench your desire in Long Time Coming.
The first of two groundbreaking volumes on gay history in Wisconsin, We’ve Been Here All Along provides an illuminating and nuanced picture of Wisconsin’s gay history from the reporting on the Oscar Wilde trials of 1895 to the landmark Stonewall Riots of 1969. Throughout these decades, gay Wisconsinites developed identities, created support networks, and found ways to thrive in their communities despite various forms of suppression—from the anti-vice crusades of the early twentieth century to the post-war labeling of homosexuality as an illness to the Lavender Scare of the 1950s. In We’ve Been Here All Along, R. Richard Wagner draws on historical research and materials from his own extensive archive to uncover previously hidden stories of gay Wisconsinites. This book honors their legacy and confirms that they have been foundational to the development and evolution of the state since its earliest days
In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detecti...
On the battlefields of World War II, with their fellow soldiers as the only shield between life and death, a generation of American men found themselves connecting with each other in new and profound ways. Back home after the war, however, these intimacies faced both scorn and vicious homophobia. The Mourning After makes sense of this cruel irony, telling the story of the unmeasured toll exacted upon generations of male friendships. John Ibson draws evidence from the contrasting views of male closeness depicted in WWII-era fiction by Gore Vidal and John Horne Burns, as well as from such wide-ranging sources as psychiatry texts, child development books, the memoirs of veterans’ children, and a slew of vernacular snapshots of happy male couples. In this sweeping reinterpretation of the postwar years, Ibson argues that a prolonged mourning for tenderness lost lay at the core of midcentury American masculinity, leaving far too many men with an unspoken ache that continued long after the fighting stopped, forever damaging their relationships with their wives, their children, and each other.
In Henry James and Queer Modernity, first published in 2003, Eric Haralson examines far-reaching changes in gender politics and the emergence of modern male homosexuality as depicted in the writings of Henry James and three authors who were greatly influenced by him: Willa Cather, Gertrude Stein and Ernest Hemingway. Haralson places emphasis on American masculinity as portrayed in fiction between 1875 and 1935, but the book also treats events in England, such as the Oscar Wilde trials, that had a major effect on American literature. He traces James's engagement with sexual politics from his first novels of the 1870s to his 'major phase' at the turn of the century. The second section of this study measures James's extraordinary impact on Cather's representation of 'queer' characters, Stein's theories of writing and authorship as a mode of resistance to modern sexual regulation, and Hemingway's very self-constitution as a manly American author.
An “irresistible” account of a little-known literary salon and creative commune in 1940s Brooklyn (The Washington Post Book World). A San Francisco Chronicle Best Book of the Year February House is the true story of an extraordinary experiment in communal living, one involving young but already iconic writers—and America’s best-known burlesque performer—in a house at 7 Middagh Street in Brooklyn. It was a fevered yearlong party, fueled by the appetites of youth and a shared sense of urgency to take action as artists in the months before the country entered World War II. In spite of the sheer intensity of life at 7 Middagh, the house was for its residents a creative crucible. Carson...