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Inventing Polemic
An investigation into the contexts of print, polemic, and religious debate in Renaissance literature.
The Bedside Baccalaureate: the Second Semester
Offers a different learning experience, intending to place facts within the framework of knowledge and containing 20 courses created by experts in their fields with the intention of making the topics accessible and entertaining.
Shakespeare Studies
Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.
Performing Widowhood on the Early Modern English Stage
The deaths of husbands radically changed women’s lives in the early modern period. While losing male protection, widows acquired rare opportunities for social and economic independence. Placed between death and life, female submissiveness and male audacity, chastity and sexual awareness, or tragedy and comedy, widows were highly problematic in early modern patriarchal society. They were also popular figures in the theatre, arousing both male desire and anxiety. Now how did Shakespeare and his contemporaries represent them on the stage? What kind of costume, props, and gestures were employed? What influence did actors, spectators, and play-space have? This book offers a fresh and incisive examination of the theatrical representation of widows by discussing the material conditions of the early modern stage. It is also the only comprehensive study of this topic covering all three phases of Elizabethan, Jacobean, and Caroline drama.
Epic, Epitome, and the Early Modern Historical Imagination
In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.
Manuscript Miscellanies in Early Modern England
Perhaps more than any other kind of book, manuscript miscellanies require a complex and ’material’ reading strategy. This collection of essays engages the renewed and expanding interest in early modern English miscellanies, anthologies, and other compilations. Manuscript Miscellanies in Early Modern England models and refines the study of these complicated collections. Several of its contributors question and redefine the terms we use to describe miscellanies and anthologies. Two senior scholars correct the misidentification of a scribe and, in so doing, uncover evidence of a Catholic, probably Jesuit, priest and community in a trio of manuscripts. Additional contributors show compilers ...
Voices and Books in the English Renaissance
Discusses how literary culture in the Renaissance was fundamentally oral and studies a variety of literary soundscapes, from the schoolroom to the printing house, to explore why and how 'sound' was meaningful to Renaissance writers.
Shakespeare and the Book Trade
Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime.
1 Henry IV
An introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
New Approaches to Shorthand
Variously identified as an art, a technology, and a professional prerequisite, forms of shorthand have been in use from Antiquity to the modern day. Far from a niche corner in manuscript studies, shorthand represents an almost global phenomenon that has touched upon many aspects of everyday life and of scholarship. Due to its immediate illegibility, however, and the daunting task of decipherment, shorthand has long been neglected as a research object in its own right. The immense quantity of extant and unread shorthand manuscripts has been downplayed, as has the technology's place in cultures of learning, religious devotion, court practice, parliamentary procedure, authorial composition, cor...
