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Wicked Flesh
The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every so...
Always Messing with Them Boys
"This collection is an exotic, aphrodisiacal perfume wafting through the senses, thickly spiced by the dual nature of a poet whose culture and experience effortlessly blend concrete imagery with a quiet, fierce longing for a world that may only exist within memory--or verse."--Zachary Kluckman
The Blood Poems
The Blood Poems is one part bloodletting, one part healing, and one part sensuous celebration as Jessica Helen Lopez lays out what it means to be a strong brown woman, a single mother, and the kickass bard that the twenty-first century needs. Lopez openly faces a damaging childhood, sex, divorce, and racial injustice in these poems. She proves that love is as complicated as lovemaking--messy and lusty, raucous and powerful, capable of amazing highs and abysmal lows. She proves that when a woman learns to love herself, she will live a fierce and full life and teach her daughters to do the same.
Look What You Made Me Do
Not all abuse leaves a mark. For more than two years, BBC Radio 4’s The Archers ran a disturbing storyline centred on Helen Titchener’s abuse at the hands of her husband Rob. Not the kind of abuse that leaves a bruise, but the sort of coercive control that breaks your spirit and makes it almost impossible to walk away. As she listened to the unfolding story, Helen Walmsley-Johnson was forced to confront her own agonizing past. Helen’s first husband controlled her life, from the people she saw to what was in her bank account. He alienated her from friends and family and even from their three daughters. Eventually, he threw her out and she painfully began to rebuild her life. Then, divor...
Come, Thou Tortoise
A delightfully offbeat story that features an opinionated tortoise and her owner who find themselves in the middle of a life-changing mystery. Audrey (a.k.a. Oddly) Flowers is living quietly in Oregon with Winnifred, her tortoise, when she finds out her dear father has been knocked into a coma back in Newfoundland. Despite her fear of flying, she goes to him, but not before she reluctantly dumps Winnifred with her unreliable friends. Poor Winnifred. When Audrey disarms an Air Marshal en route to St. John’s we begin to realize there’s something, well, odd about her. And we soon know that Audrey’s quest to discover who her father really was – and reunite with Winnifred – will be an a...
Social Register, New York
Includes "Dilatory domiciles."
The Invisible Woman
‘Stylish and wittily written ... a brilliant read that should encourage us all to challenge the cult of youth, and learn to love ourselves a little more along the way.’ My Weekly There’s nothing middle-of-the-road about middle age. From coping with bodies that are ‘heading south’ to rampant ageism in the workplace, this time in our lives, in the words of Bette Davis, ‘is no place for sissies’. From family, finances and work to cosmetics, fashion and sex, 60-year-old Helen Walmsley-Johnson – the irrepressible voice behind the much-loved Guardian column ‘The Vintage Years’ – shows, with warmth and a wicked sense of humour, how we can reinvent middle age for the next generation of women.
Abyssinia's Samuel Johnson
Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.
