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This summer, Centraal Museum is in the hands of Jessica Stockholder (1959). The museum is showing special loan pieces, new sculptures and an installation that Stockholder created specifically for this exhibition. Stockholder also to incorporated pieces from the huge museum collection. As Stockholder explains: "I have selected items from the collection that resonate with my own work. In a certain sense I treated the collection as one of my materials, and have investigated how the meaning of each work changes depending on the context." Stockholder selected over 60 items from more than 45 makers. By combining these works in unexpected ways, new and intriguing relationships emerge between artist...
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The definitive book on a creative force who continues to influence sculpture and installation art Jessica Stockholder has long broken down the boundaries between painting, sculpture, and architecture to explore the body in social and cultural space - using found objects intertwined with profusions of vivid colours. This revised, updated edition spotlights the extraordinary evolution of her career, and examines the pivotal role she has played in shaping some of the most fundamental ideas around which contemporary sculpture and painting revolve today.
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The Passionate Spectator collects essays, reviews, and art criticism by John Yau, an internationally lauded poet, critic, and curator. In this wide-ranging collection, Yau explores the intersection of art and poetry, dissolving boundaries between the artistic traditions and reimagining what it means to see and to write. Whether he is interpreting the poetic use of titles in Jessica Stockholder’s paintings, reviewing the collaborative book project between American poet Robert Creeley and German artist Georg Baselitz, or considering the significance of Frank O’Hara’s decision to have his portrait drawn wearing nothing but army boots, Yau is consistently daring, original, and contemporary...
Each chapter consists of an article about the artist's work, selected by the artist and an interview of the artist by David Ryan.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.