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American Modernism
With an emphasis on painting and sculpture made in the United States between 1910 and 1950, this gorgeously illustrated volume offers a rich introduction to American modernism through the world-class collection of the Philadelphia Museum of Art. The lively text, which includes previously unpublished archival photos, examines the roles that the museum and the city of Philadelphia played in promoting modernism from its inception. Works by internationally acclaimed artists from the circle of photographer and gallerist Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and Charles Sheeler, are featured here alongside works by artists left outside the mainstream of art history. The book draws visual connections across works by these artists while creating compelling juxtapositions that tell a story of modern American art that is unique to the Philadelphia Museum of Art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (04/18/18-09/03/18)
American Made
The Huntington's finest examples of American Art are brought together for the first time in an innovative format that connects them through compelling visual juxtapositions to tell the story of American art in microcosm. Coinciding with the American gallery's thirtieth anniversary, this innovatively designed book features paintings, sculptures, decorative and graphic arts. Accompanied by thoughtful historical essays, American Made celebrates a collection that has grown from fifty paintings to more than 12,000 objects, making The Huntington one of the finest repositories of American art in the US.
Pressed in Time
"This book was published in conjunction with the exhibition Pressed in Time: American Prints 1905-1950 at the Huntington Library, Art Collections, and Botanical Gardens, October 6, 2007 through January 7, 2008."--BOOK JACKET.
Schoenberg and Hollywood Modernism
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
Three Fragments of a Lost Tale
Since 2006, California sculptor John Frame (b. 1950) has been working toward the creation of a stop-motion animated film featuring an eclectic cast of fully articulated characters. In keeping with the artist’s distinctive style, the figures used in the animation combine found materials with meticulously carved wood and are art objects in their own right. They inhabit a curious and complex universe and act together to tell a fragmented tale in a unique idiom. The book delves into this visionary world through Frame’s photographs of his sculptural pieces, stage settings, and vignettes.
American Stories
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
Making a Photographer
An unprecedented and eye-opening examination of the early career of one of America’s most celebrated photographers One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.
Birds of a Feather
Between 1953 and 1966, New York assemblage artist Joseph Cornell created more than twenty works in homage to Juan Gris, specifically inspired by the Cubist’s collage masterpiece, The Man at the Café(1914). Cornell’s Gris boxes have as their centerpiece the image of a bird, the great white-crested cockatoo, whose delightful and erudite connections to the Cubist’s oeuvre and to Cornell’s own hobbies, love of music, and distinctive approach to modern art are comprehensively documented here for the first time.
Vida Americana - Mexican Muralists Remake American Art, 1925-1945
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit...
Hogarth
Hogarth was one of the great 18th-century painters, a marvellous colourist and innovator at all levels of artistic expression. Art historian David Bindman surveys the works of this artist whose wry humour and sharp wit were reflected in his prolific paintings and prints including The Rakes Progress and Marriage-A-la-Mode. Hogarth was also a master of pictorial satire, highlighting the moral and political hypocrisies of the day with delightful detail and comedy themes that resonate deeply with our times. The artist was a keen observer of class and society; this new edition has been specially updated to include a discussion of Hogarths many representations of Black people in 18th-century Britain, a subject that has long been overlooked. Now revised with additional material and illustrated in colour throughout, this is a vivid and incisive study of the man and his art.
