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The Whole She-Bang 2
This is the second collection of mystery stories by Canadian members of Sisters in Crime. The collection features 24 stories by 21 Canadian members. The authors, including both established authors and those who are previously unpublished, are: Lou Allin, Catherine Astolfo, Linda Cahill, Melodie Campbell, Miriam Clavir, Susan Daly, Jill Downie, Elizabeth Hosang, P.M. Jones, Ann R. Loverock, H. MacDonald-Archer, Lesley Mang, Elaine Ruth Mitchell, Charlotte Morganti, Helen Nelson, Carol Newhouse, Judy Penz Sheluk, Steve Shrott, Madona Skaff, Coleen Steele and Linda Wiken. It is edited by Janet Costello. The stories have a variety of characters: shop owners, children, a thief, vengeful women, unhappy wives, a poet, police officers of both sexes and more... The stories are set mostly in Canada, in a wide variety of locations, including British Columbia, Northern Ontario, Alberta and Quebec! All stories were selected by a blind judging procedure.
Spoiled Rotten
Liz, a restaurateur, tries to clear her chef's name when he is suspected of killing her meat supplier, but it becomes difficult when he disappears, customers are poisoned at his moonlighting gig, and she falls for the detective assigned to the case.
The Whole She-Bang 3
The Whole She-Bang 3 introduces 22 short stories of mystery and suspense by Canadian members of Sisters in Crime. Edited by Janet Costello, this third entry in the She-Bang series, has stories by both new authors and those previously published, Cathy Ace, Anne Barton, Miriam Clavir, Susan Daly Lisa de Nicolits, Alice Fitzpatrick, Valerie Hauch Elizabeth Hosang, H. MacDonald-Archer, J.A. Menzies, Lynne Murphy, Helen Nelson, Ed Piwowarczyk, Andre Ramshaw, Darlene Ryan, Judy Penz Shluk and Coleen Steele
Sowing Poison
When Nathan Elliott disappears, can a Methodist circuit rider discover what truly happened? After an absence of many years, Nathan Elliott returns to the lakeside village of Wellington in Ontario’s Prince Edward County to be at his dying father’s side. Within a few days of his return, his brother reports that Nathan disappeared while the two were cutting firewood and no trace of him can be found. Shortly after, Nathan’s wife arrives in the village. Claiming that she can contact the dead, she begins to hold séances for the villagers. Thaddeus Lewis, a Methodist circuit rider, is outraged. Lewis’s ethical objections propel him on a twisted path. On his journey, Lewis encounters towering sand dunes and a mysterious wild boy. After coming up against greed, fraud, and murder, can Lewis learn the truth about Nathan Elliott? Religious conflict and political dissension all play a part in this tale set in 1844 Upper Canada.
Picasso Blues
More than a whodunit detective story, Picasso Blues is a gripping tale of missed opportunities and hidden desires set amid rampant cynicism, fear, and deadly danger. In this sequel to Free Form Jazz, Ray Tate and Djuna Brown are reunited in a city being ripped apart by fear, paranoia, and racism. With the police force decimated by a SARS-like disease, Tate and Brown are assigned to a task force targeting a series of murders that seem to be racially motivated. As the city riots around them, can they fashion a future for themselves in their dreamland of bohemian Paris? Far more than a whodunit detective story, Picasso Blues is the gripping tale of a civil society that flirts with anarchy a society where the very defenders of order risk losing themselves to chaos.
Genders, Sexualities, and Spiritualities in African Pentecostalism
This book examines the complex and multifaceted nature of African Pentecostal engagements with genders and sexualities. In the last three decades, African Pentecostalism has emerged as one the most visible and profound aspects of religious change on the continent, and is a social force that straddles cultural, economic, and political spheres. Its conventional and selective literal interpretations of the Bible with respect to gender and sexualities are increasingly perceived as exhibiting a strong influence on many aspects of social and public institutions and their moral orientations. This collection features articles which examine sexualities and genders in African Pentecostalism using interdisciplinary methodological and theoretical approaches grounded within traditional African thought systems, with the goal of enabling a broader understanding of Pentecostalism and sexualities in Africa.
Framing Our Past
Reflecting a rethinking of the making of modern Canada, this well- illustrated anthology of 85 essays reaches beyond ivory tower images and taken for granted assumptions of women's roles. This sampling by primarily women contributors, drawn from personal and organizational records, emphasizes the experiences of diverse women engaged in all spheres of private and public life: from a vignette of Native community life, to profiles of innovators in many fields. Includes a cross-referenced essay index. 10 x 9.5 " format. Cook is a professor of education at the U. of Ottawa. c. Book News Inc.
A Nation's Paper
From Canada's newspaper of record for 180 years, here are thirty-one brilliant and provocative essays by a diverse selection of their writers on how The Globe and Mail covered and influenced major events and issues from the paper’s founding to the latest file. Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progre...
The Inglorious Arts of Peace
Heaman examines the ways in which British North America was advertised at home and abroad in the pursuit of productivity, markets, capital, and immigrants, and evaluates the exhibitions' impact on private industry, the government, and Canadian identity. She also considers the participation of women and native peoples at local and international exhibits, showing how they transcended the limited spheres of representation imposed upon them.
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