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Habeas Corpus
Sacco and Vanzetti, the Rosenbergs, and Aileen Wuornos. A witch, a pirate, a slave who poisoned her master. A serial killer, a Quaker, a case of mistaken identity. The earliest to be electrocuted, gassed, and lethally injected; the last to be publicly hanged. In her first book, Habeas Corpus, acclaimed poet Jill McDonough gives us fifty sonnets, each about a legal execution in American history. From four hundred years of documentation she conjures – and honors – a chorus of the dead. The sonnets, headed meticulously by name, date, and place, are poignant with the factual, with words and actions reported by eyewitnesses and spoken by the condemned – so limpidly framed that at moments on...
Reaper
A targeted look at America's drone program and our culpability, questioning what, if anything, we've learned from our brutal past
Here All Night
Jill McDonough’s latest collection is fiercely unapologetic, transforming mundane moments into witty and provocative insights that closely examine the flaws in our quick-moving society. Using dark humor, the poems address the impermanence of life and how we should always find reasons to re-evaluate ourselves as empathetic beings over our selfish tendencies. ”Here’s Jill McDonough, Here All Night, belting out an endearing song of herself that is, as Whitman’s is, tuned in to some thrumming undercurrent of joy in all the mess that is America. The poems’ catalogue of the unwieldy stuff of domestic life ultimately insists that things are pretty good—love endures, friends come through, there’s plenty of gin. Unabashed and boisterous, McDonough’s voice also coos with gratitude and aching tenderness. A vital book in multiple senses: read it and feel more alive.” —Maggie Dietz
Water I Won’t Touch
Both radically tender and desperate for change, Water I Won’t Touch is a life raft and a self-portrait, concerned with the vitality of trans people living in a dangerous and inhospitable landscape. Through the brambles of the Pennsylvania forest to a stretch of the Jersey Shore, in quiet moments and violent memories, Kayleb Rae Candrilli touches the broken earth and examines the whole in its parts. Written during the body’s healing from a double mastectomy—in the wake of addiction and family dysfunction—these ambitious poems put new form to what’s been lost and gained. Candrilli ultimately imagines a joyful, queer future: a garden to harvest, lasting love, the insistent flamboyance of citrus.
Who Was John F. Kennedy?
The man who saved the lives of his PT-109 crewmen during WWII and became the 35th president fought-and won-his first battle at the age of two-and-a-half, when he was stricken with scarlet fever. Although his presidency was cut short, our nation's youngest elected leader left an indelible mark on the American consciousness and now is profiled in our Who Was...? series. Included are 100 black-and-white illustrations as well as a timeline that guides readers through this eventful period in history.
That Peculiar Affirmative
Poems are social. They reach out, however crookedly, to another person, however imperfectly imagined. And sometimes they not only embody but enact those things that we might value in the other parts of our social lives--kindness, for example, or joy--as well as the complications those values entail. Looking closely at poems from Lucille Clifton, Elizabeth Bishop, Gwendolyn Brooks, Terrance Hayes, Spencer Reece, Robert Pinsky, Claudia Rankine, Jericho Brown, Patricia Lockwood, Ross Gay, Paisley Rekdal, Gabrielle Calvocoressi, and many others, That Peculiar Affirmative tries to understand what it means for a poem to be humble or humorous, decorous or confident, and what that tells us not only ...
Return Flight
Selected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, Return Flight is a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between. When Return Flight asks “what name / do you crown yourself,” Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Jennifer Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold. Here, too, is another kind of mythology. Set to...
Eight Whopping Lies and Other Stories of Bruised Grace
“Brian Doyle is an extraordinary writer whose tales will endure.” —Cynthia Ozick, National Book Critics Circle Award-winning author of Quarrel and Quandary This is a guided tour through the mind of one of the most acclaimed voices in contemporary Catholic writing. Brian Doyle effortlessly connects the everyday with the inexpressible and consistently marries searingly honest prose with interruptions of humor and humanity. These essays bear Doyle’s trademark depth and deliver with eloquence his piercing observations on mohawks and miracles, vigils and velociraptors, syntax and scapulars, jail and jihad, and mercy beyond sense. A 2018 Catholic Press Association Book Award winner. The audio edition of this book can be downloaded via Audible.
The Mind Has Cliffs of Fall
A bold new anthology of poems that contend with the most extreme human emotions, from former Poet Laureate Robert Pinsky. Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate, personal source for the urgency of these experiences. Poems get under our skin; they engage with the balm, and the sting, of understanding. In The Mind Has Cliffs of Fall—its title inspired by a Gerard Manley Hopkins poem—acclaimed poet Robert Pinsky gives us more than 130 poems that explore emotion at its most expansive, distinct, and profound. With seven illuminating chapters and succinct headnotes for each poem, Pinsky leads us through the book’s sweeping historical range. Each chapte...
Habeas Corpus
Sacco and Vanzetti, the Rosenbergs, and Aileen Wuornos. A witch, a pirate, a slave who poisoned her master. A serial killer, a Quaker, a case of mistaken identity. The earliest to be electrocuted, gassed, and lethally injected; the last to be publicly hanged. In her first book, Habeas Corpus, acclaimed poet Jill McDonough gives us fifty sonnets, each about a legal execution in American history. From four hundred years of documentation she conjures – and honors – a chorus of the dead. The sonnets, headed meticulously by name, date, and place, are poignant with the factual, with words and actions reported by eyewitnesses and spoken by the condemned – so limpidly framed that at moments on...
