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Release 2.0: Issue 9
In this special issue of Release 2.0, we look at the state of web operations, examine early signals of where it's going, and present the industry's best practices and most interesting players. Also available as a stand-alone O'Reilly Radar research report, this issue is a complement to O'Reilly's inaugural Velocity conference for web performance and operations.
The Principal's Office
The Principal's Office is the first historical examination of one of the most important figures in American education. Originating as a head teacher in the nineteenth century and evolving into the role of contemporary educational leader, the school principal has played a central part in the development of American public education. A local leader who not only manages the daily needs of the school but also represents district and state officials, the school principal is the connecting hinge between classroom practice and educational policy. Kate Rousmaniere explores the cultural, economic, and political pressures that have impacted school leadership over time and considers professionalization...
Global Pop
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
We're Not Here to Entertain
Kevin Mattson offers a history of punk rock in the 1980s. He documents how kids growing up in the sedate world of suburbia created their "own culture" through DIY tactics. Punk spread across the continent in the 1980s as it found expression in different media, including literature, art, and poetry. Punks dissented against Reagan's presidency, accusing the entertainer-in-chief of being mean and duplicitous (especially when it came to nuclear war and his policies in Central America). Mattson has dived deep into archives to make his case that this youthful dissent meant something more than just a style of mohawks or purple hair.
But is it Garbage?
Trash has been blowing across the rock'n'roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's "trash trope." Trash is an obvious physical presence on the rock scene -- think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. But Is It Garbage? spills over with challenging insights into how rock's creators, critics, and consumers transform, and are transformed by, trash as a fact and a concept. In the music's preoccupation with its own trashiness readers will perceive a wellspring of rock innovation and inspiration -- one largely overlooked and little understood until now.
Release 2.0: Issue 8
A year after Release 2.0 first looked at what financial markets and web markets have to teach one another, it can seem like the two groups are still talking past each other. But we're seeing early signs of how Wall Street and Web 2.0 can work together-and deepening evidence that the two may become inextricable.
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Rockin' My Life Away
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