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Origins of Semiosis
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Art of the 20th century
The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new. This astoundingly thorough survey of art's modern era showcases all of the key artistic movements of the 20th century, from Fauvism to Pop Art, featuring illustrative examples of some of the most renowned works of the era along with illuminating companion essays by expert critics and art historians. A vivid window into the collective psyche of the modern world's great artists, Art of the 20th Century is a must-have for any fan of contemporary art.
Art and architecture of the late 20th century
During the second half of the twentieth century, in a world transformed by international tensions, the centre of artistic creation shifted from Europe to the United States. In a world where major countries asserted their power, individualism now ruled. The art world was a perfect example of this phenomenon; even now, the emphasis of creativity is placed on the individual instead of the trend. Moreover, growing globalization and the various types of media have facilitated a multiplication of means and offered artists new possibilities. Now, at the dawn of the twenty-first century, everything has the potential to be art, and art, more than ever, is the opportunity to take risks - to present and transform almost anything. This work invites the reader to discover the diversity of this most recent artistic environment.
National Union Catalog
Includes entries for maps and atlases.
Der saarländische Bildhauer Ernst Hoffmann
The life and works of sculptor Ernst Hoffman (1905-1942). He married Maria Ganz.
Oskar Holweck
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The Power of Distributed Perspectives
How do people and institutions manage to bring their different perspectives into an effective and productive interplay? How can we overcome obstacles for the creative potentials of distributed perspectives? Traditionally, the perspectives of people and institutions are considered to be fixed and isolated points of view. In such a picture, the perspectives seem determined in advance by positions and persons seem trapped within their perspectival horizons. In contrast, the new approach of this volume’s contributions focuses on the simple but fundamental fact that people (in their perceiving, speaking, thinking, and acting) always already refer to fellow human beings and coordinate their own perspectives with those of other persons and institutions. The contributions of the present volume concentrate on the structures, mechanisms, and dynamics of the interplays of different perspectives of interacting, communicating, and cooperating persons and institutions. The volume focuses on how the creative potentials as well as the organizational effectiveness of distributed perspectives can be set free.
Zur Sache der Konkreten
Betr. u. a. Max Bill (S. 59-78) und sein Verhältnis zur konkreten Dichtung (S. 59-62) sowie Rudolf Mumprecht (S. 325-328).
Spaces and Identities in Border Regions
Spatial and identity research operates with differentiations and relations. These are particularly useful heuristic tools when examining border regions where social and geopolitical demarcations diverge. Applying this approach, the authors of this volume investigate spatial and identity constructions in cross-border contexts as they appear in everyday, institutional and media practices. The results are discussed with a keen eye for obliquely aligned spaces and identities and relinked to governmental issues of normalization and subjectivation. The studies base upon empirical surveys conducted in Germany, France, Belgium and Luxembourg.
