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Many-Valued Aesthetics
»Yes, No, Perhaps« are the most written words in Mary Bauermeister's artworks. Together they stand for the concept of many-valued aesthetics in the German artist's oeuvre - an aesthetic that Bauermeister developed using many-valued logic. Hauke Ohls brings the artist's central groups of works in context with each other as well as with the neo-avant-garde of the post-war period in Europe and the USA. He shows that the development of Bauermeister's art may appear disparate, but her canvas and relief works, drawings and writing pictures, lens boxes and stone pictures are characterized by a reciprocal relationship of combinations and interconnections. Through the ubiquitous use of meta-references, the entire oeuvre ultimately appears as an interconnected assemblage.
Picturing the Workers' Olympics and the Spartakiads
This volume focuses on the modernist and avant-garde engagement with workers’ sport events that were organised or were planned to be organised in the cities of Central Europe and the USSR in the period of 1920–1932: Frankfurt am Main – Vienna – Moscow – Prague – Budapest – Berlin. During the 1920s and 1930s, two organisations of workers’ sport operated: the Lucerne Sport International/Socialist Workers’ Sport International and the Red Sport International, which held the socialist Workers’ Olympics and the communist Spartakiads, respectively. These events were not aimed at cultivating national victories and individual athletic records, but at mobilising workers for the cla...
The Absolute Realist
This annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch’s collected writings. A towering figure in the history of photography, Albert Renger-Patzsch (1897–1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany’s Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch’s photographs embody what his...
Objects as History in Twentieth-century German Art
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
Hesse
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The Unknown in Art
An important theory about abstract art, published 1947 in postwar Germany, now translated.
Artbibliographies Modern
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Sport and the European Avant-Garde (1900-1945)
This collection of essays assesses the significance of sport for the European avant-garde in the first half of the 20th century from an international and interdisciplinary perspective. It shows the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports.
Design, Vienna, 1890s to 1930s
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstätte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Meritum adwokata i adwokatki
Rozmowa z dr Katarzyną Gajowniczek-Pruszyńską, adwokatką, wicedziekan Okręgowej Rady Adwokackiej w Warszawie i redaktorką naukową publikacji „Meritum adwokata i adwokatki”. Zapraszamy! Poradnik przedstawia wszystkie praktyczne aspekty wykonywania zawodu adwokata w Polsce. Jest dziełem ponad 30 autorek i autorów – wybitnych specjalistów, przedstawicieli tej profesji. Z „Meritum adwokata i adwokatki” dowiesz się między innymi: Jak założyć i prowadzić kancelarię? Publikacja zawiera praktyczne wskazówki, w których autorzy dzielą się swoim doświadczeniem i radzą, jak skutecznie zarządzać kancelarią adwokacką. Jak podejmować skuteczne działania marketingowe? ...
