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The Little Book of Joy
Discover a different way to find happiness every day of the year with this pocket-size book that celebrates the little things that bring great joy. Be inspired by famous people on their birthdays; learn how to spot and find flowers throughout each season; create your own gratitude jar; learn how to make pastries; make a gift for someone you love; discover the pleasure of letter writing; and find joy in a rainy day. Packed with art activities, famous birthdays, inventions, international holidays, facts, and trivia about the world around us, each page offers a mindful prompt to encourage gratitude for things we have, every day.
My Favorite Tyrants
Winner of the 2014 Brittingham Prize in Poetry, selected by Naomi Shihab Nye The word “tyrant” carries negative connotations, but in this new collection, Joanne Diaz tries to understand what makes tyranny so compelling, even seductive. These dynamic, funny, often poignant poems investigate the nature of tyranny in all of its forms—political, cultural, familial, and erotic. Poems about Stalin, Lenin, and Castro appear beside poems about deeply personal histories. The result is a powerful exploration of desire, grief, and loss in a world where private relationships are always illuminated and informed by larger, more despotic forces. Winner, Midwest Book Award for Poetry, Midwest Independent Publishers Association
Daddy Loves You So Much
Demonstrates the different ways animal fathers love their offspring.
The Little Magazine in Contemporary America
Little magazines have often showcased the best new writing in America. They have historically served a dual function of representing the avant-garde of literary expression while also helping many emerging writers become established authors. Although changing technology and increasingly harsh financial realities now seem to threaten them even to the brink of extinction, the full story of the little magazine over the past thirty years is far more complicated. In this collection, Ian Morris and Joanne Diaz gather the reflections of twenty-three prominent editors of little magazines from this period on how they have innovated, sometimes thrived, sometimes (reluctantly) folded, but mainly persevered in the service of their founding literary ideals. Other topics covered include the role of the little magazine in promoting the workand concernsof minority and women writers; the place of universities in supporting and shaping little magazines; and the online and offline future of little magazine publication."
The Body Papers
Winner of The Restless Books Prize for New Immigrant Writing “Grace Talusan writes eloquently about the most unsayable things: the deep gravitational pull of family, the complexity of navigating identity as an immigrant, and the ways we move forward even as we carry our traumas with us. Equal parts compassion and confession, The Body Papers is a stunning work by a powerful new writer who—like the best memoirists—transcends the personal to speak on a universal level.” —Celeste Ng, author of Everything I Never Told You and Little Fires Everywhere Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as...
Reading and Writing About Literature
Far less expensive than comparable guides, Reading and Writing about Literature: A Portable Guide is an ideal supplement for writing courses where literature anthologies and individual literary works that lack writing instruction are assigned. This brief guide introduces strategies for reading literature, explains the writing process and common writing assignments for literature courses, provides instruction in writing about fiction, poetry, and drama, and includes coverage of writing a research paper and of literary criticism and theory. This volume in the popular Bedford/St. Martin's series of Portable Anthologies and Guides offers a trademark combination of high quality and great value.
Official Gazette
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White Papers
White Papers is a series of untitled poems that deal with issues of race from a number of personal, historical, and cultural perspectives. Expanding the territory of her 2006 book Blue Front, which focused on a lynching her father witnessed as a child, this book turns, among other things, to Martha Collins' childhood. Throughout, it explores questions about what it means to be white, not only in the poet's life, but also in our culture and history, even our pre-history. The styles and forms are varied, as are the approaches; some of the poems address race only implicitly, and the book, like Blue Front, includes some documentary and "found" material. But the focus is always on getting at what it has meant and what it means to be white—to have a race and racial history, much of which one would prefer to forget, if one is white, but all of which is essential to remember and to acknowledge in a multi-racial society that continues to live under the influence of its deeply racist past.
The Language Letters
Bruce Andrews and Charles Bernstein released the first issue of the poetics newsletter L=A=N=G=U=A=G=E in 1978, launching language-centered writing. The Language Letters reveals Language poetry in its nascent stage, with letters written by Andrews, Bernstein, Ron Silliman, and others in intense and intimate conversation regarding poetry and poetics; the contemporary poetry and arts scenes; publication venues, journals, and magazines; and issues of community, camaraderie, and friendship. The editors have included two critical introductions, two interviews with Bernstein and Andrews, and appendices that include a previously unpublished essay on Larry Eigner by Robert Grenier and short biographies of the major authors. Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing. Scholars, writers, and students of poetry will find this collection essential to understanding this important period of literary history.
The End of Satisfaction
Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.
