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Can the gospel message of the Atonement have a liberative message for black Christians? Is there, indeed, "power in the blood of Jesus"? This study of the meaning of the cross in the African American religious experience is both comprehensive and powerful: comprehensive because it explores the meaning of the cross -- symbol of suffering and sacrifice -- from the early beginnings of Christianity through modern times, and powerful because it is written by a black woman who has experienced abuse and the oppression of field-work.
In today's theological landscape the significance of the cross has become strongly affirmed and radically questioned. This exciting volume gathers theologians and historians who have thought through these critical and constructive issues: Do traditional understandings of the cross valorize suffering or violence? Are the older soteriological models, which see redemption as a kind of ransom or debt satisfaction, fitting for the contemporary worldview? Do they produce a piety that acquiesces in needless suffering, or does the cross precisely meet the massive suffering and injustice of today's world?Following an expert introduction to the issues and options by editor Marit Trelstad, each author addresses the Christian symbol of the cross in the context of current theological, sociological, political, or environmental issues.
The cross has long been not only a scandal but also a profound paradox: filled with saving significance and power, it is at the same time a sobering tragedy. In Saved from Sacrifice theologian Mark Heim takes on this paradox, asserting that the cross must be understood against the whole history of human scapegoating violence. In order to highlight the dimensions of his argument, Heim carefully and critically draws on the groundbreaking work of French theorist and biblical scholar René Girard. Yet Heim goes beyond Girard to develop a comprehensive theology of the atonement and the cross through his fresh readings of well-known biblical passages and his exploration of the place of the victim.
A provocative study that cuts to the very heart of Christian thought, The Nonviolent Atonement challenges the traditional, Anselmian understanding of atonement along with the assumption that heavenly justice depends on Christ s passive, innocent submission to violent death at the hands of a cruel God. Instead J. Denny Weaver offers a thoroughly nonviolent paradigm for understanding atonement, grounded in the New Testament and sensitive to the concerns of pacifist, black, feminist, and womanist theology. While many scholars have engaged the subject of violence in atonement theology, Weaver s Nonviolent Atonement is the only book that offers a radically new theory rather than simply refurbishi...
I Found God in Me is the first womanist biblical hermeneutics reader. In it readers have access, in one volume, to articles on womanist interpretative theories and theology as well as cutting-edge womanist readings of biblical texts by womanist biblical scholars. This book is an excellent resource for women of color, pastors, and seminarians interested in relevant readings of the biblical text, as well as scholars and teachers teaching courses in womanist biblical hermeneutics, feminist interpretation, African American hermeneutics, and biblical courses that value diversity and dialogue as crucial to excellent pedagogy.
Black Theology, Slavery and Contemporary Christianity explores the legacy of slavery in Black theological terms. Challenging the dominant approaches to the history and legacy of slavery in the British Empire, the contributors show that although the 1807 act abolished the slave trade, it did not end racism, notions of White supremacy, or the demonization of Blackness, Black people and Africa. This interdisciplinary study draws on biblical studies, history, missiology and Black theological reflection, exploring the strengths and limitations of faith as the framework for abolitionist rhetoric and action. This Black theological approach to the phenomenon of the trans-Atlantic slave trade and the institution of slavery draws on contributions from Africa, the Caribbean, North America and Europe.
In this theological work, readers are seated in a metaphorical balcony as a counter melody is composed within America’s operatic tradition. By using imaginary opera glasses, readers are invited to critically view American society and history. The most popular folk songs of white Southerners, Western settlers, and Northern elites were composed from chords of colonialism, white supremacy, patriarchy, hegemony, and xenophobia—forms of anthropological poverty. These songs were, and remain, the most discordant melodies heard by indigenous and enslaved persons in America. Indicting the “church” for its complicity in these oppressions, this work offers the reader a historical glimpse at the...
Jonathon Kahn offers a fresh and controversial reading of W.E.B. Du Bois, showing how Du Bois consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge the traditional Christian worldview.
In this accessible and provocative study, Brian Blount reads the book of Revelation through the lens of African American culture, drawing correspondences between Revelation's context and the long-standing suffering of African Americans. Applying the African American social, political, and religious experience as an interpretive cipher for the book's complicated imagery, he contends that Revelation is essentially a story of suffering and struggle amid oppressive assimilation. He examines the language of "martyr" and the image of the lamb, and shows that the thread of resistance to oppressive power that runs through John's hymns resonates with a parallel theme in the music of African America.