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Complemented by 80 historic photos, this handsome hardcover volume documents a 1909 conference of Native American leaders. The fascinating account includes speeches, folktales, and firsthand accounts of Custer's Last Stand.
A searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what...
"Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts represents a powerful collaboration between two great museums - the National Museum of the American Indian/Smithsonian Institution, and The Minneapolis Institute of Arts - and two curators, father and son members of the A'aninin Indian Tribe of Montana. George P. Horse Capture, and his son, Joseph D. Horse Capture, bring different insights to this project as they explore new relationships among the shirts, the shirtmakers, the historians and scholars, and the audience of Indians and non-Indians alike."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh’s diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings bec...
The Washington Redskins franchise remains one of the most valuable in professional sports, in part because of its easily recognizable, popular, and profitable brand. And yet “redskins” is a derogatory name for American Indians. Prominent journalists, politicians, and former players have publicly spoken out against the use of Redskins as the name of the team. The number of grassroots campaigns to change the name has risen in recent years despite the current team owner’s assertion that the team will never do so. The NFL, for its part, actively defends the name and supports it in court. Redskins: Insult and Brand examines how the ongoing struggle over the team name raises important questi...
This expansive survey of the art and culture of the American West presents richly diverse works by more than 35 distinct Native American nations considered alongside non-Native artists from the late eighteenth to early twentieth centuries. Knowing the West encourages deeper consideration of the variety of cultures that together reflect the complex histories and stories of the American West. Astonishing in range, historical significance, medium, and quality, more than 120 artworks by Native American and non-Native artists are presented—including textiles, baskets, paintings, pottery, beadwork, saddles, and prints—including many by women. The artworks are shown in meaningful dialogue, such...
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Secrets of an iconic artifact Florida Book Awards, Bronze Medal for Florida Nonfiction Florida Trust for Historic Preservation Award for Meritorious Achievement in Preservation Communications Excavated from a waterlogged archaeological site on the shores of subtropical Florida by legendary anthropologist Frank Hamilton Cushing in 1896, the Key Marco Cat has become a modern icon of heritage, history, and local identity. This book takes readers into the deep past of the artifact and the Native American society in which it was created. Austin Bell explores nine periods in the life of the six-inch-high wooden carving, beginning with how it was sculpted with shell and shark-tooth tools and what i...
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Dioramas are devices on the frontier of different disciplines: art, anthropology, and the natural sciences, to name a few. Their use developed during the nineteenth century, following reforms aimed at reinforcing the educational dimension of museums. While dioramas with human figures are now the subject of healthy criticism and are gradually being dismantled, a thorough study of the work of artists and scientists who made them helps shed light on their genesis. Among other displays, this book examines anthropological dioramas of two North American museums in the early twentieth century: the American Museum of Natural History in New York, and the New York State Museum. Sites of creation and mediation of knowledge, combining painting, sculpture, photography, and material culture, dioramas tell a story that is always political.