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An English translation with commentary of an important first treatise on singing by Agricola.
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.
This manuscript is Walter Emery's own English translation of Bach's obituary notice, written jointly by C.P.E. Bach and J.F. Agricola, originally published in Mizler's Neu Eroffnete Musikalischer Bibliothek, volume 4, part 1 in Leipzig 1754. Also included are two short biographical excerpts on Bach: J.G. Walther's Musikalisches Lexicon (1732) and the Genealogy which Bach himself compiled in c.1735.
Russell Saunders, professor of organ at the Eastman School of Music, died suddenly and unexpectedly on December 6, 1992. He was generally acknowledged to be the foremost teacher of organ in the United States, if not the world, and a most important link between the worlds of scholar and performer. This volume, planned by his colleagues as a Festschrift in honor of his seventieth birthday, is now a memorial.
This Composer Companion is a unique and definitive guide to the life, music, and legacy of Johann Sebastian Bach. Now available in paperback, it will be an invaluable resource for scholars, students, performers, and all Bach and Baroque-music enthusiasts. With more than 900 entries, arranged in A-Z order for ease of reference, supplemented by illustrations and music examples, and written by more than 40 distinguished contributors, it brings together an unparalleled range of information onone of the greatest composers who has ever lived. It offers detailed information about Bach's life - his family, friends, colleagues, and pupils, his career as a performer, teacher, and composer - and about ...
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
This early German 'do-it-yourself' manual tells us about music-making in the years just before the Reformation.
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Book Excerpt: scuss the first English version of Forkel's monograph, published in 1820, with the following title-page:LIFE OF JOHN SEBASTIAN BACH; with a Critical View of his Compositions. By J. N. Forkel, Author of The Complete History of Music, etc., etc. Translated from the German. London: Printed for T. Boosey and Co., Holles-Street, Cavendish-Square. 1820.The book was published in February 1820; it was announced, with a slightly differently worded title-page, in the New Monthly Magazine and Universal Register for March 1820 (p. 341), and the Scots Magazine for the same month ( vol. lxxxv. p. 263). The New Monthly states the price as 5s., the Quarterly Review (vol. xxiii. p. 281) as 6s. The book contains xi+116+3 pages of Music Figures, crown octavo, bound in dark unlettered cloth. It has neither Introduction, notes (other than Forkel's), nor indication of the translator's identity. Much of the translation is so bad as to suggest grave doubts of the translator's comprRead More
'A compelling biography of one of the greatest men of the modern age. Stanford is particularly brilliant on the tensions inside Luther's private and spiritual life. This is a very fine book, written with a flourish.' Melvyn Bragg The 31st of October 2017 marks the 500th anniversary of Martin Luther pinning his 95 'Theses' - or reform proposals - to the door of his local university church in Wittenberg. Most scholars now agree that the details of this eye-catching gesture are more legend than hammer and nails, but what is certainly true is that on this day (probably in a letter to his local Archbishop in Mainz), the Augustinian Friar and theologian issued an outspokenly blunt challenge to his...