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Observations on the Florid Song (1723)
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.
Observations on the Florid Song; Or, Sentiments on the Ancient and Modern Singers. Written in Italian by Pier. Francesco Tosi, ... Translated Into English by Mr. Galliard; ... to Which Are Added, Explanatory Annotations and Examples in Musick
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Po...
Observations on the Florid Song; Or, Sentiments on the Ancient and Modern Singers
Observations on the Florid Song; Or, Sentiments on the Ancient and Modern Singers By Pier Francesco Tosi,
Introduction to the Art of Singing by Johann Friedrich Agricola
An English translation with commentary of an important first treatise on singing by Agricola.
Observations on the Florid Song
Observations on the Florid Song is a fascinating classical music history text by Pier Francesco Tosi. The Opinions of the ancient Historians, on the Origin of Music, are various. Pliny believes that Amphion was the Inventor of it; the Grecians maintain, that it was Dionysius; Polybius ascribes it to the Arcadians; Suidas and Boetius give the Glory entirely to Pythagoras; asserting, that from the Sound of three Hammers of different Weights at a Smith's Forge, he found out the Diatonick; after which Timotheus, the Milesian, added the Chromatick, and Olympicus, or Olympus, the Enharmonick Scale.
Bluestockings Displayed
The first academic and interdisciplinary volume exploring bluestocking portraiture, performance and patronage in eighteenth-century Britain, opening vistas for future scholarship.
Francesca Caccini's Il primo libro delle musiche of 1618
Francesca Caccini (1587--ca.1640) was an accomplished composer, singer, and instrumentalist in the tradition of the Florentine Camerata. Her 1618 volume Il primo libro delle musiche was dedicated to her patron the Cardinal de' Medici (1596--1666). This modern critical edition presents 17 secular monodies for one and two voices with figured bass accompaniment from this landmark collection. The book includes text translations, biographical and stylistic essays, recommendations on performance practice, and other commentary.
Language and the Grand Tour
Language is still a relatively under-researched aspect of the Grand Tour. This book offers a comprehensive introduction enriched by the amusing stories and vivid quotations collected from travellers' writings, providing crucial insights into the rise of modern vernaculars and the standardisation of European languages.
A History of Singing
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context - from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
