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A Checklist of Johann Heinrich Schmelzer's Musical Compositions
  • Language: en
  • Pages: 59

A Checklist of Johann Heinrich Schmelzer's Musical Compositions

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

The Late Ensemble Music of Johann Heinrich Schmelzer
  • Language: en
  • Pages: 332

The Late Ensemble Music of Johann Heinrich Schmelzer

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Sonatae unarum fidium (1664) Violinsonaten handschriftlicher Überlieferung
  • Language: la
  • Pages: 100
Johann Heinrich Schmelzer
  • Language: en

Johann Heinrich Schmelzer

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Die Sonaten des Johann Heinrich Schmelzer. [Mit Noten.]
  • Language: de
  • Pages: 518

Die Sonaten des Johann Heinrich Schmelzer. [Mit Noten.]

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

Sacro-profanus concentus musicus, fidium aliorumque instrumentorum (1662)
  • Language: la
  • Pages: 155

Sacro-profanus concentus musicus, fidium aliorumque instrumentorum (1662)

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

None

The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
  • Language: en
  • Pages: 473

The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries

  • Type: Book
  • -
  • Published: 2016-12-05
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  • Publisher: Routledge

Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pa...