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Polychrome Sculpture
In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far...
The 12th SS
Part two of the defining work on Hitler's elite fanatical boy soldiers continues with the survivors of the bloody fighting in France regrouping to make a final stand in the Ardennes and Hungary before Germany was overcome by the Allies. A detailed and gripping account of the most famous, and infamous, division to fight in World War II for any side.
Depositions
From late medieval reenactments of the Deposition from the Cross to Sol Lewitt’s “Buried Cube,” Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely — no truer to their first appearance than to their later reappearances. In Depositions, Amy Knight Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the imago Dei) but also allegorize the deposition of the image as such a...
The Sensuous in the Counter-Reformation Church
This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.
Sacred Medieval Objects and Their Afterlives in Scandinavia
Interconnected investigations between conservators, historians, heritage scientists and museum professionals centre on objects that were essential to medieval Christianity in Scandinavia (c. 1100‒1530). Through new and diverse physical data from polychrome sculptures, shrines, winged altarpieces and painted banners, the authors probe a range of issues and problems, from original devotional functions and changing appearances, to the impacts of changing liturgies, locations and priorities. This book highlights the diversity of theoretical and practical approaches to sacred medieval religious objects, and brings together new findings related to the transformations of these objects since the Reformations. Contributors are Karl Christian Alvestad, Alexandra Böhme, David Buti, Francesco Caruso, Aoife Daly, Tine Frøysaker, Elina Gertsman, Irka Hajdas, Poul Grinder Hansen, Karoline Kjesrud, Lena Liepe, Hana Lukasova, Maite Maguregui, Austin Nevin, Elena Platania, Anne Irene Riisøy, Katrine S. Scharffenberg, Jón Viðar Sigurðsson, Calin Constantin Steindal, Noëlle L.W. Streeton, Einar Uggerud, Anna Vila, and Jørgen Wadum.
The Waffen-SS at Kharkov
In 1943, German forces launched a counteroffensive, reclaiming Kharkov during a crucial Eastern Front crisis At the beginning of 1943, the German armed forces were in crisis on the southern front in Russia. The Soviets had launched a series of offensives from November 1942 that pushed the Germans back hundreds of kilometers. The Germans had no more significant reserves available, and enormous breaches had opened between defensive lines. In early January 1943, the Soviets attacked again, with the aim of reconquering the industrial city of Kharkov and destroying the remaining German and Axis troops in southern Ukraine, including the 4. Panzerarmee, 1. Panzerarmee, Armeeabteilung Hollidt and Ar...
The Sepulchrum Domini Through the Ages
TABLE OF CONTENTSPreface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIII. REPRESENTATIONS OF THE HOLY SEPULCHREIntroduction. . . . . . . . . . . . . . . . . . 3A. The Holy Sepulchre as a Separate Church Building. . . . . 71. Constantine the Great's Church of the Holy Sepulchre . 72. Churches of the Holy Sepulchre in Western Europe. 12a. Background . . . . . . . . 12b. The pilgrimage period . . . . . . . . 14c. The period of the Crusades. . . . . . 25B. The Holy Sepulchre in the Interior of the Church 451. Background . . . . . . . . . . . . . . . . . . 452. Holy Sepulchres Modelled on the Anastasis Tomb in Church Interiors . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Practice and Theory in the Italian Renaissance Workshop
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
The Trees of the Cross
A revelatory exploration of wood's many material, ecological, and symbolic meanings in the religious art of medieval Germany "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper In late medieval Germany, wood was a material laden with significance. It was an important part of the local environment and economy, as well as an object of religious devotion in and of itself. Gregory C. Bryda examines the multiple meanings of wood and greenery within religious art--as a material, as a feature of agrarian life, and as a symbol of the cross, whose wood has resonances with other iconographies in the liturgy. Bryda discusses how influential artists such as Matthias Grünewal...
Metropolitan Museum Studies in Art, Science, and Technology
This second volume of Studies in Art, Science, and Technology unites studies by scientists, curators, and conservators, all of which are published here for the first time. Essays and technical notes address a variety of themes, such as connections between technology and aesthetics, aging processes of artworks, attribution and dating issues, and conservation theory. Specific examples from throughout art history add context and help promote deeper understanding. A wide range of objects are discussed in the texts, including medieval sculptures, Baroque musical instruments, Egyptian stone works, photographs, enamels, and paintings. The refined analyses of these works will prove relevant and enlightening to an interdisciplinary professional audience.
