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From Mud to Jug
A companion and sequel to Brothers in Clay--deepens and enriches Burrison's earlier study by focusing on the northeast corner of Georgia, which has maintained a continuous tradition of pottery making since the early nineteenth century.
Roots of a Region
Roots of a Region reveals the importance of folk traditions in shaping and expressing the American South. This overview covers the entire region and all forms of ex-pression-oral, musical, customary, and material. The author establishes how folklore pervades and reflects the region\'s economics, history (espe-cially the Civil War), race rela-tions, religion, and politics. He follows with a catalog of those folk-cultural traits-from food and crafts to music and story-that are distinctly southern. The book then explores the Native American and Old World sources of southern folk culture. Two case studies serve as examples to stu-dents and as evidence of the author\'s larger points. The first tr...
Brothers in Clay
An illustrated study that tells the story of Georgia's folk pottery tradition, the forces that shaped it, and the families and artisans who continue to keep it alive provides a new preface that summarizes the past decade of southern folk pottery. Reprint.
Storytellers
Presents 260 of the rural South's best stories collected over a twenty year period, with their roots in Anglo-Saxon, African-American, and Native American traditions
Global Clay
For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world’s ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.
The Life and Crimes of Railroad Bill
For over a year, Railroad Bill eluded sheriffs, private detectives hired by the L&N line, and bounty hunters who traveled across the country to match guns with the legendary desperado. The African American outlaw was wanted on multiple charges of robbery and murder, and rumor had it that he stole from the rich to give to the poor. He terrorized busy train lines from east of Mobile to the Florida Panhandle, but as soon as the lawmen got close, he disappeared into the bayous and pine forests--until one day his luck ran out, and he was gunned down inside a general store in Atmore, Alabama. Little is known about Railroad Bill before his infamy--not his real name or his origins. His first recorde...
Textile Art from Southern Appalachia
Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.
Turners & Burners
This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of 'tuners and burners' whose creation are much admired for their strength and beauty. The first comprehensive ceramic history for the state, this book examines the largely vanished world of folk potters and the continuing achievements of their descendants.
Great & Noble Jar
First published in 1993, this was the first authoritative study of South Carolina stoneware and its history, including he methods used to throw, glaze, decorate, and fire the vessels. Illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings, plus an index of potters.
Of Mules and Mud
"Jerry Brown (1942-2016) was a nationally recognized folk potter based in Hamilton, Alabama, whose family has been making pottery in the South since the 1830s. Traditionally, southern potters made utilitarian objects necessary for rural life. As a boy, Brown and his brother learned the family's timeworn methods and techniques helping their father in his shop, including tending the mule that drove the mill that mixed clay. Business suffered as demand for stoneware churns, jugs, and chamber pots waned in the postwar years, and manufacture ceased following the deaths of Brown's father and brother in the mid-1960s. Brown turned to logging for his livelihood, his skill with mules proving useful i...
