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Antonioni
This collection of new essays by leading film scholarsaddresses Michelangelo Antonionias apre-eminent figure in European art cinema, explores his continuing influence and legacy, and engages with his ability to both interpret and shape ideas of modernity and modern cinema.
27 Articles
27 Articles is Lawrence of Arabia’s classic set of guidelines on military leadership in the Middle East. The 100th anniversary edition features a new introduction by foreign policy expert John Hulsman and a new afterword from CBS News President David Rhodes, addressing the articles’ lasting lessons. In 1916, T.E. Lawrence was deployed to the Arabian Peninsula to aid with the Arab Revolt against the Ottoman Empire. It was the middle of World War I and the British command was throwing its weight behind the long-rebellious southern territories of the Ottoman Empire. Lawrence had extraordinary success fighting alongside the coalition of Arab revolutionaries, and his story has since become le...
Peggy Ahwesh: Vision Machines
"Since the early 1980s, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority ... Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema over the last four decades."--Page 4 of cover.
The Cinema of Italy
Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.
On Michael Haneke
Michael Haneke, whose films include 'The Piano Teacher' and 'The White Ribbon', has emerged over the past 15 years as a major figure in world cinema. This collection of essays offers a criticial inquiry & close formal analysis of his work, noted for its philosophical, historical & stylistic complexity.
Masculinity and Italian Cinema
Headline: A study of how Italian films re-envisage male identity in response to sexual liberationBlurb: Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and politi...
Finding Mr Goldman
Finding Mr Goldman tells of the epic battle of good and evil played out in the life and sudden death of a wicked man. Had he known the hour of his death, the wealthy Harry Goldman might have arranged his day differently. Instead he finds himself plunged into a nightmare in which his life of violence and ruthless greed is laid bare before him. Accompanied by a disreputable looking but likeable tramp, who bears a striking resemblance to Jesus, Goldman sets out on a quest to save his soul. But confronted by the shattering reality of hell, he realises all is lost. It is only then that he discovers the redeeming love of God . . .
Apologies
The American artist Stephen G. Rhodes' installations, which are distinguished by the combination of diverse media, are based on selected references from a wide range of historical and cultural sources, including the American past and the histories of art and film, which he fuses into a new and dense semantic system.In the cycle of works Rhodes presented in 2009 under the title Dar Allers war ne'ereny Bear Bear at Galerie Isabella Bortolozzi Gallery, for example, he linked Walt Disney's Song of the South (1946), a movie adaptation of Joel Chandler Harris's Uncle Remus stories, which are in turn based on the oral histories of the slaves on the plantations of the American South, to Stanley Kubrick's The Shining (1980).This first monograph, published in conjunction with Rhodes' solo exhibition at the Migros Museum für Gegenwartskunst (February 2013) will give an overview of the artist's oeuvre of the last 10 years.English and German text.
Girl Head
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.
The End of Plagues
World-renowned immunologist John Rhodes’s The End of Plagues is “an engaging and expansive exploration of humankind’s quest to defend itself against disease” (History Today). At the turn of the twentieth century, smallpox claimed the lives of two million people per year. By 1979, the disease had been eradicated and victory was declared across the globe. Yet the story of smallpox remains the exception, as today a host of deadly contagions, from polio to AIDS, continue to threaten human health around the world. Spanning three centuries, The End of Plagues weaves together the discovery of vaccination, the birth and growth of immunology, and the fight to eradicate the world’s most feared diseases. From Edward Jenner’s discovery of vaccination in 1796, to the early nineteenth-century foundling voyages in which chains of orphans, vaccinated one by one, were sent to colonies around the globe, to the development of polio vaccines and the stockpiling of smallpox as a biological weapon in the Cold War, Rhodes charts our fight against these plagues, and shows how vaccinations gave humanity the upper hand.
