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This infectiously readable memoir by the most colorful and controversial Navy Secretary in memory provides the inside story of the origins and battles at home and abroad in building a 600-ship Navy. Young, bright, and ambitious, John Lehman came to office refusing to be just another figurehead. For the six years he served in the Reagan administration, he helped forge an aggressive strategy for achieving maritime supremacy and for rebuilding the U.S. Navy. In this bestselling personal account of those years between 1981 and 1987, he speaks with candor and authority about the ills of the military establishment and the struggles and frustrations he encountered. Lehman reveals instances of polit...
“Engrossing and illuminating.” —Arthur Herman, Wall Street Journal When Ronald Reagan took office in January 1981, the United States and NATO were losing the Cold War. The USSR had superiority in conventional weapons and manpower in Europe, and it had embarked on a massive program to gain naval preeminence. But Reagan already had a plan to end the Cold War without armed conflict. In this landmark narrative, former navy secretary John Lehman reveals the untold story of the naval operations that played a major role in winning the Cold War.
From the youngest ever Secretary of the Navy comes an action-packed history of the service and the heroic men, great ships and epic battles that made it the world's greatest. photos. Maps.
This book sets the record straight on why the Federal Reserve failed to rescue Lehman Brothers during the financial crisis.
Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Rie...
This volume of articles was prepared in honor of Winfred P. Lehmann on the occasion of his 60th birthday. The papers are presented in two sections: I. Studies in Descriptive Linguistics, and II. Studies in Historical Linguistics. The volume contains contributions by R.M.W. Dixon, Ralph M. Goodman, Maurice Gross, Einar Haugen, David G. Hays, Archibald A. Hill, Mohammad Ali Jazayery, E.F.K. Koerner, D. Terence Langendoen, Don L.F. Nilsen, Arthur L. Palacas, Sol Saporta, Sanford A. Schane, Jacob Mey, Anders Ahlqvist, Simon C. Dik, Robert T. Harms, Saul Levin, Yakov Malkiel, D. Gary Miller, William G. Moulton, Edgar C. Polome, Gary D. Prideaux, Luigi Romeo, Maria Tsiapera, Krystyna Wachowicz, Mridula Adenwala Durbin, Paul J. Hopper, Aaron Bar-Adon.
Why, after several generations of suffrage and a revival of the women's movement in the late 1960s, do women continue to be less politically active than men? Why are they less likely to seek public office or join political organizations? The Private Roots of Public Action is the most comprehensive study of this puzzle of unequal participation. The authors develop new methods to trace gender differences in political activity to the nonpolitical institutions of everyday life--the family, school, workplace, nonpolitical voluntary association, and church. Different experiences with these institutions produce differences in the resources, skills, and political orientations that facilitate participation--with a cumulative advantage for men. In addition, part of the solution to the puzzle of unequal participation lies in politics itself: where women hold visible public office, women citizens are more politically interested and active. The model that explains gender differences in participation is sufficiently general to apply to participatory disparities among other groups--among the young, the middle-aged, and the elderly or among Latinos, African-Americans and Anglo-Whites.
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group of painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry. A richly detailed portrait of one of the great movements in American arts and letters, "The Last Avant Garde covers the years 1948...