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Acting Stanislavski
Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring: ease and focus the nature of action, interaction and objectives the imaginary reality, senses and feeling active analysis of text physical and vocal expression of character the actor in the context of training and the ind...
The Captors' Narrative
The author reconstructs the lived experience of both captors and captives to show that captivity was always intertwined with gender struggles, providing a novel perspective on the struggles over female authority pervasive in colonial America.
Voice into Acting
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spaces Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.
Acting on Impulse: Reclaiming the Stanislavski approach
"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West "I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general." Matt Peover, LAMDA trainer and theatre director. "Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner." Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offer...
Of Caves and Caving
"What is caving? Caving is fun. Caving is in the darkness. Caving is illuminating. Caving is dangerous. Caving is a minority sport for idiots." This book comes tantalizingly close to explaining the reasons why apparently sane, rational individuals are driven by some mysterious force to take seemingly senseless risks in the exploration of caves and underground caving systems. The author's exciting journey takes us through a series of adventures beginning at a time when potholers were regarded as rather eccentric, a belief reinforced by the popular press, hungry for news of every mishap or accident. The journey continues as an eloquently written whistle-stop tour spanning four decades and several continents giving an insight into "what makes cavers tick." There is something here for everyone-from the experienced hard man to non-caver alike, with tales to suit all tastes, of exploits from the humorous to terrifying, with interesting anecdotes that will maintain the reader's interest throughout. Each step of the journey keeps one wondering what lies around the next corner.
The British working class in postwar film
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
Justice of the Peace
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Sixty Years of Caves and Caving
What is caving? Caving is fun. Caving is in the darkness. Caving is illuminating. Caving is dangerous. Caving is a minority sport for idiots. Caving is a muddy pastime. Caving warms you up. Caving gives you hypothermia. Caving is for everyone. Caving is exploration. Caving refreshes the soul. Caving is a way of life.
The Law Reports
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