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"Piecing together various historical fragments and anecdotes from the years before Chinatown emerged in the late 1870s, historian John Kuo Wei Tchen redraws Manhattan's historical landscape and broadens our understanding of the role of port cultures in the making of American identities."--BOOK JACKET.
From invading hordes to enemy agents, a great fear haunts the West! The “yellow peril” is one of the oldest and most pervasive racist ideas in Western culture—dating back to the birth of European colonialism during the Enlightenment. Yet while Fu Manchu looks almost quaint today, the prejudices that gave him life persist in modern culture. Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, and it surveys the extent of this iniquitous form of paranoia. Written by two dedicated scholars and replete with paintings, photographs, and images drawn from pulp novels, posters, comics, theatrical productions, movies, propagandistic and pseudo-scholarly literature, and a varied world of pop culture ephemera, this is both a unique and fascinating archive and a modern analysis of this crucial historical formation.
The definitive scholarly study of Chinese laundries and those who worked in them in the U.S. Considered a classic piece by students of overseas Chinese and Asian American studies, "The Chinese Laundryman" is also a landmark in the study of ethnic occupations and in the social and cultural history of the immigrant in America. *Lightning Print On Demand Title
130 rare photos offer fascinating visual record of Chinatown before the great 1906 earthquake. Informative text traces history of Chinese in California.
Presents the history of the Chinese American experience, from the role of Chinese tea in the American Revolution and the rich commercial and cultural interactions between China and the U.S., to an exploration of the practices and principles developed under Chinese Exclusion and their application to other cultural groups. This concise, illustrated history considers the legacy and lessons of this period in America's history through photography, documents and historical objects. AUTHOR: John Kuo Wei Tchen is the co-founder of the Museum of Chinese in America. SELLING POINTS: * Accompanies a major exhibition at the New-York Historical Society from October 2014-May 2015 * Will be of interest to the growing population of Chinese Americans and those interested in the cultural and historical connections between the two countries 50 colour illustrations
When Newark Had a Chinatown: My Personal Journey by Ms. Yoland Skeete-Laessig Edited by Hal Laessig “Through her dedication, persistence and hard work, Ms. Skeete has pieced together a virtual gold mine of information about the history of Newark Chinatown. Her work fills a void in our understanding of Asian American history as well as Newark history.” – Peter Li, Teacher of Chinese Literature, Professor Emeritus History & Culture at Rutgers University. Author & Co-Editor of “Understanding Asian American.” “Yes, at the turn of the century, Newark’s Chinatown community was larger than New York’s. The history and the circumstances of its demise are largely a mystery rediscovered...
Catalog of an exhibition held at the Japanese American National Museum in Los Angeles, Calif.
World War II was a watershed event for many of America's minorities, but its impact on Chinese Americans has been largely ignored. Utilizing extensive archival research as well as oral histories and letters from over one hundred informants, K. Scott Wong explores how Chinese Americans carved a newly respected and secure place for themselves in American society during the war years. Long the victims of racial prejudice and discriminatory immigration practices, Chinese Americans struggled to transform their image in the nation's eyes. As Americans racialized the Japanese enemy abroad and interned Japanese Americans at home, Chinese citizens sought to distinguish themselves by venturing beyond ...
A collection of sixty-four essays in which scholars from various fields examine terms and concepts used in cultural and American studies.
This book surveys the history of Asian American theatre from 1965 to 2005.