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When Newark Had a Chinatown: My Personal Journey by Ms. Yoland Skeete-Laessig Edited by Hal Laessig “Through her dedication, persistence and hard work, Ms. Skeete has pieced together a virtual gold mine of information about the history of Newark Chinatown. Her work fills a void in our understanding of Asian American history as well as Newark history.” – Peter Li, Teacher of Chinese Literature, Professor Emeritus History & Culture at Rutgers University. Author & Co-Editor of “Understanding Asian American.” “Yes, at the turn of the century, Newark’s Chinatown community was larger than New York’s. The history and the circumstances of its demise are largely a mystery rediscovered...
Histories of gay and lesbian urban life typically focus on major metropolitan areas like San Francisco and New York, opportunity-filled destinations for LGBTQ migrants from across the country. Yet there are many other queer communities in economically depressed cities with majority Black and Hispanic populations that receive far less attention. Though just a few miles from New York, Newark is one of these cities, and its queer histories have been neglected—until now. Queer Newark charts a history in which working-class people of color are the central actors and in which violence, poverty, and homophobia could never suppress joy, resistance, love, and desire. Drawing from rare archives that...
In Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.
A free-lance writer, active in the area of "little magazine" writing and publishing, and a member of the teaching staff of the Experiment in Higher Education at Southern Illinois University in East St. Louis, Henry Dumas had amassed a considerable body of work at the time of his death in 1968 at the age of thirty-four. The stories show the sensitivity and skill with which he approached the themes of blackness and youth, the preoccupations of the stories, and, in the themes and techniques of the poems, demonstrate the awareness of what an African heritage can mean to an American writer.
As a refugee from Sudan to the United States, Sangoel is frustrated that no one can pronounce his name correctly until he finds a clever way to solve the problem.
"This book is published in conjunction with the centennial of the Newark Museum's African art collection and the opening of a new long-term gallery installation, Arts of Global Africa (November 2017)"--Colophon.
When 'Living and Sustaining a Creative Life' was published in 2013, it became an immediate sensation. Edited by Sharon Louden, the book brought together forty essays by working artists, each sharing their own story of how to sustain a creative practice that contributes to the ongoing dialogue in contemporary art. The book struck a nerve how do artists really make it in the world today? Louden took the book on a sixty-two-stop book tour, selling thousands of copies, and building a movement along the way. Now, Louden returns with a sequel: forty more essays from artists who have successfully expanded their practice beyond the studio and become change agents in their communities. There is a mis...
This is a new release of the original 1939 edition.