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Travellers
Travellers offers a new selection of George Mackay Brown's poems collected here for the first time and edited by Archie Bevan and Brian Murray. Many of them were never published in his lifetime.;The large and growing numer of those who love his poems will know that in this book they will find the simplicity and directness that convey not less but more. They know too that George Mackay Brown, seemingly remote in Orkney, nevertheless responded to a vast range of the world's experience. Even so, there are unexpected treats to be found here. As always the seasons of the year and of life yield new and fresh magic in his hands: but it is more of a surprise to encounter Tolstoy, or Modigliani, or refugees from Tibet, or the people of Serbia, Croatia and Bosnia, or the great uranium controversy that threatened to engulf the islands. Haiku and chinoiseries are departures of a different kind, though it is true that Brown's essential poetical vision does not change, rather that these forms are transmuted and become personal to him.;In these poems readers will find new ideas previously unexplored, but they will also find those qualities that made George Mackay Brown different from anyone else.
An Historical View of the Revolutions of Portugal, Since the Close of the Peninsular War, by an Eye-Witness [J.M. Browne]
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Upstairs Room
'An incredible read. Clever, chilling, I couldn't put it down' Joanna Cannon, author of The Trouble with Goats and Sheep In Kate Murray-Browne's debut, Eleanor and Richard have stretched themselves to the limit to buy the perfect home. But the cracks are already starting to show. Eleanor is unnerved by the eerie atmosphere in the house and she is convinced it is making her ill. Their two young daughters are restless and unsettled. Richard, on the other hand, is more preoccupied with Zoe, their alluring young lodger, who is also struggling to feel at home. As Eleanor's symptoms intensify, she becomes determined to unravel the mystery of the family who lived in the house before them. Who were the Ashworths, and why is the name Emily written hundreds of times on the walls of the upstairs room? Beautifully written and impossibly to put down, The Upstairs Room is a startling contemporary ghost story and a novel about memory, loneliness, desire and love - the things that haunt us all.
The Upstairs Room
Eleanor, Richard and their two young daughters recently stretched themselves to the limit to buy their dream home, a four-bedroom Victorian townhouse in East London. But the cracks are already starting to show. Eleanor is unnerved by the eerie atmosphere in the house and becomes convinced it is making her ill. Whilst Richard remains preoccupied with Zoe, their mercurial twenty-seven year-old lodger, Eleanor becomes determined to unravel the mystery of the house's previous owners - including Emily, whose name is written hundreds of times on the walls of the upstairs room.
An Historical View of the Revolutions of Portugal, Since the Close of the Peninsular War
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Glorious Trees of Great Britain
For over a decade, the artist Piers Browne has been recording the trees of Great Britain in etchings and drypoint. His inspiration was the onslaught of Dutch Elm disease, which decimated one of Britain's greatest native trees and changed the landscape dramatically.;Piers had followed his own idiosyncratic eye. This volume includes trees of all kinds: the oldest, the tallest, the most unusual, the joyous, the eye-catching and the historical as well as the finest of many species. He includes Killarney's extraordinary evergreen Strawberry Tree, Drumlanrig's vast Sycamore, one of the largest in Europe, a towering but incongruous Eucalyptus, and a Hickory standing alone on the Giant's Causeway. I...
