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Searching for Sofia
From journalist John Nadler comes a real-life Romeo and Juliet story set in war-torn Kosovo. Nadler has stumbled upon a bitter epic romance in the ashes of inter-ethnic strife in the former Yugoslavia. The cast: a pair of star-cross’d lovers, a young Kosovar man and a Serb woman; the girl’s father, a local militiaman who is determined to crush the relationship; and a war correspondent in the role of Friar Lawrence, entrusted with the commission of reuniting the lovers. Gjorg escapes the slaughter of his village by feigning death and fleeing while Serb troops invade his town. His fiancée Sofia disappears -- whisked away to Serbia, Gjorg believes, by her father, who is later implicated in...
A Perfect Hell
It’s 1942 and Hitler’s armies stand astride Europe like a colossus. Germany is winning on every front. This is the story of how one of the world’s first commando units, put together for the invasion of Norway, helped turn the tide in Italy. 1942. When the British generals recommend an audacious plan to parachute a small elite commando unit into Norway in a bid to put Nazi Germany on the defensive, Winston Churchill is intrigued. But Britain, fighting for its life, can’t spare the manpower to participate. So William Lyon MacKenzie King is contacted and asked to commit Canadian troops to the bold plan. King, determined to join Roosevelt and Churchill as an equal leader in the Allied wa...
Risk Work
How artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and po...
"Complicity with Evil"
From the killing fields of Rwanda and Srebrenica a decade ago to those of Darfur today, the United Nations has repeatedly failed to confront genocide. This is evinced, author and journalist Adam LeBor maintains, in a May 1995 document from Yasushi Akashi, the most senior UN official in the field during the Yugoslav wars, in which he refused to authorize air strikes against the Serbs for fear they would “weaken” Milosevic. More recently, in 2003, urgent reports from UN officials in the Sudan detailing atrocities from Darfur were ignored for a year because they were politically inconvenient. This book is the first to examine in detail the crucial role of the Secretariat, its relationship w...
Apocalypse Revisited: A Critical Study on End Times
This volume was first published by Inter-Disciplinary Press in 2015. Mankind’s fascination with the Apocalypse is not new. Starting from the Hindu notions of Kali Yuga to 2012 Phenomenon, Apocalypse has been a part of our lives in the form of a cultural formation, natural threat, fictional entity, ideological construct, political fear or catastrophic end. Apocalyptic discourses underline how one culture perceives and reflects pain, trauma, loss and fear as well as indicating the ability to face and get ready for disaster. This inter-disciplinary and academic study aims to discuss the end of the world in multiple contexts where the popularity of apocalypse always reigns. In the scope of this work, readers will see the multi-dimensional nature of the Apocalypse referring more to progress rather than end or beginning, an in-between situation, a becoming, a formation; local yet global phenomenon; a product of fantasy plus a constructed reality; both an object of consumption and life consuming mechanism, an ideological presence in the absence of larger meta-narratives.
Wildlife Review
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Valour Road
The First World War lasted for four years and three months. And when it ended on November 11, 1918, the people of Pine Street, a sleepy avenue on the outskirts of Winnipeg, came to a startling realization. During the course of the conflict, young Leo Clarke, Robert Shankland, and Fred Hall, all from their street, had each received the Victoria Cross, the highest award for bravery at that time. Such a phenomenon has never been repeated anywhere in the former British empire. Accessing original documents in his research--such as the wartime diary of Leo's brother, Charlie, official war records, and general history--author John Nadler constructs a story of the three heroic soldiers, their families, and the enormous impact of WWI on a young Canada. This historic concurrence was so meaningful that a statue was erected in Winnipeg in tribute to these three ordinary soldiers, and their street was renamed Valour Road in their honour.
