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Poor Doris, she was like an uprooted tree swirling through the eye of a tornado, one viewer feels, an aquatic Dorothy Gale in a gale. Then she married again and again, but America is sleeping safely with its secrets in the Western night. Radical revisions, mistranslations and multilingual dealings: in Starlight, John Tranter destroys and rebuilds works by poets including Baudelaire, Mallarme, Ashbery and T.S. Eliot. The back story of modern poetry is vigorously interrogated, though the narratives are contemporary and the action takes place in the arena of the here and now. The atmosphere crackles with colloquial energy and the dialogue undercuts itself with a dry wit. Tranter's restless craft is evident in the service of a complex and free-ranging style in this brilliantly playful collection.
This broad selection of Australian poets begins with Kenneth Slessor, and offers a challenging view of 'early modern' poetry up until the 1960s. It also presents the decade of turmoil from 1965 to 1975 in a new light, identifying currents of energy among the young writers and balancing new reputations with old. The years from 1965 to the 1990s are revealed as a time of growing vigour and diversity.
Winner 2006 CJ Dennis Prize for Poetry (Victorian Premier's Literary Awards) "Urban Myths: 210 Poems" brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter's poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries. JUDGES REPORT - Victorian Premier's Literary Awards The new and uncollected poems in John Tranter's "Urban Myths" make a significant addition to his oeuvre. Control and ease are evident in the writing, which displays personages, occasions and moods of the metropolitan modern world. Tranter's latest poems refresh through the exercise of urbane skills: this is a poet suave and playful, but never aloof; linguistically various, assured in style, and never less than fully attentive.
A collection of literary, cultural and political writings published in Meanjin over the fifty years since its foundation, together with archival material and editorial commentary.
Contributed articles presented at the International Seminar on "Caring Cultures : Sharing Imaginations, Australia and India" during January 20-21, 2004, Dept. of English, Dayanand College, Ajmer in collaboration with Australia-India Council.
`The conviction, pleasures and gratitude of committed reading are evident in his affirmation of the poetic contract between readers and writers.' Andrea Brady, Poetry Review --
Ranging over various aesthetic forms (literature, film, music) in the period since 1960, this volume brings an antipodean perspective into conversation with the art and culture of the Northern Hemisphere, to reformulate postmodernism as a properly global phenomenon.
This book explores Basil Bunting’s continued reputation and influence in modern British poetry, and also the impact of a peculiarly ‘Northern’ inflection of Modernism (which Bunting largely defined) within the varieties of poetry being written in Britain today. The editors asked a variety of English, Scottish, Welsh and American poets and academics to reflect upon the themes, implications, impact or example of Bunting’s work in the centenary year of his birth, looking back on the beginnings of Modernism at the start of the twentieth century into which he was born, or forward into the twenty-first century in which he continues to be read and learned from: a true poetic star to steer b...