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This broad selection of Australian poets begins with Kenneth Slessor, and offers a challenging view of 'early modern' poetry up until the 1960s. It also presents the decade of turmoil from 1965 to 1975 in a new light, identifying currents of energy among the young writers and balancing new reputations with old. The years from 1965 to the 1990s are revealed as a time of growing vigour and diversity.
Winner 2006 CJ Dennis Prize for Poetry (Victorian Premier's Literary Awards) "Urban Myths: 210 Poems" brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter's poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries. JUDGES REPORT - Victorian Premier's Literary Awards The new and uncollected poems in John Tranter's "Urban Myths" make a significant addition to his oeuvre. Control and ease are evident in the writing, which displays personages, occasions and moods of the metropolitan modern world. Tranter's latest poems refresh through the exercise of urbane skills: this is a poet suave and playful, but never aloof; linguistically various, assured in style, and never less than fully attentive.
Poetry. After a career of more than 40 years, John Tranter has become that paradoxical thing: the postmodern master. Ghosting others' poems, using 'proceduralist' approaches to composition and revising and mistranslating 'classic' works (such as Baudelaire's Les Fleurs du mal), Tranter produces something entirely original and--most importantly--superbly entertaining. The inventiveness of STARLIGHT seems unending, offering us a countless array of brilliant images and atmospheres, hilarious ideas and compelling mélanges of styles and registers. STARLIGHT could well be Tranter's masterpiece.--David McCooey John Tranter's STARLIGHT: 150 POEMS quite literally 'makes it new'--whether 'it' is Elio...
Four interlinked long narrative poems by one of Australias foremost poets, John Tranter
An outstanding new collection from one of Australia's most respected poets With a celebrated fifty-year writing career behind him, John Tranter brings to Starlight the sophistication and ease of that experience, as well as enormous energy and exuberance. After the outstanding success of his latest book, Urban Myths, one of the most awarded books of Australian poetry, these new, vital poems continue to explore poetry's possibilities. Reading the collection is like entering a room abuzz with conversation. Part of the book's project is to displace the authorial ego, and translation, mask and disguise are employed to this end, with Tranter re-imagining work by T.S Eliot, Baudelaire and Ashbery in extraordinary and original ways. Tranter's skills as ventriloquist and his ear for the quirks of expression create brilliantly-realised voices of imagined speakers. John Tranter applies his lacerating wit to ideas of authorship, egotism and poetry wars in this completely engaging and must-have new book.
"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.
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Ranging over various aesthetic forms (literature, film, music) in the period since 1960, this volume brings an antipodean perspective into conversation with the art and culture of the Northern Hemisphere, to reformulate postmodernism as a properly global phenomenon.
At the end of the 13th century, Scotland was a blood-torn country suffering under the harsh domination of a tyrant usurper, the hated Plantagenet, Edward Longshanks. During the appalling violence of those unsettled days, one man rose to become leader of the Scots. That man was William Wallace. Motivated at first by revenge for the slaughter of his father, Wallace vowed to cleanse his country of the English and set the rightful king, Robert the Bruce, upon the Scottish throne. Though Wallace was a heroic figure, he was but a man - and his chosen path was to lead him through grievous danger and personal tragedy before the final outcome . . . Praise for Nigel Tranter: 'One of Scotland's most prolific and respected writers' Times 'Through his imaginative dialogue, he provides a voice for Scotland's heroes' Scotland on Sunday