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Risomania
Risography, named after the Japanese firm Riso, is a stencil printing process based on screen printing techniques that was developed in the transition phase from mechanical to digital printing. Although the printer looks like a copying machine, the colors are transferred onto the paper without the use of heat or chemicals, saving energy and making the process ecologically friendly. Graphic artists and designers from around the world have now rediscovered the risograph for themselves - along with other machines for similar almost forgotten techniques such as mimeography -and sparked an unexpected renaissance of analog printing. A comprehensive introduction that addresses past, present and fut...
Stationery Fever
This original, eye catching volume celebrates the hottest new collectibles: office and personal stationery supplies. This beautifully designed book shows how the seemingly mundane objects that populate desks and cubicles everywhere are now being re-imagined as collector’s items. And as today’s trendsetting artists and designers are increasingly returning to non-digital techniques and methods, letterpress stationery, typewriters, and ink pens have developed the cache of vintage fashion and cars. Stationery Fever showcases the plethora of retro and fine office goods being produced and sold around the world. Organized like your favorite stationery store—pencils, pens, notebooks, erasers, ...
Cassette Cultures
The ultimatie guide to the ,,tapenaissance", covering every aspect of the movement.
Adventures in Stationery
Proving that any subject can be interesting if you delve into it deeply, stationery aficionado James Ward offers a surprisingly entertaining history of office supplies. Did you know that Henry David Thoreau contributed to pencil manufacture? Or that the Monkees' Mike Nesmith inherited $25 million earned by his mother's invention, Liquid Paper? Or that Norwegians wore paper clips as a symbol of resistance to the Nazis? Ward, who blogs on I Like Boring Things, unearths the magic in the mundane, relating the often-convoluted stories behind the creation of paper, pens, pencils, paper clips, staples and tape. Don't expect business case studies of 3M or the Parker Pen Company; Ward is a cultural connoisseur who tempers his enthusiasm for the stationery cabinet with full awareness of its absurdity. getAbstract recommends his informative, memorable and fun essays to anyone who ever borrowed a Sharpie from the office or made a necklace of paper clips.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Killing the Water
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Mixtape Nostalgia
Mixtape Nostalgia: Culture, Memory, and Representation tells the story of the mixtape from its history in 1970s bootlegging to its resurgence as an icon of nostalgic analog technology. Burns looks at the history of the mixtape from the early 1980s and the rise of the cassette as a fundamental aspect of the music industry. Stories from music fans collecting hip hop mixtapes in the Bronx or recording songs off the radio permeate the book. She discusses the continued contemporary appeal of the mixtape as musicians, novelists, memoirists, playwrights, and even podcasters have used it as a metaphor for connection and identity. From Rob Sheffield’s Love is a Mix Tape to Questlove’s Mixtape Pot...
Avant-Gardes in Crisis
Avant-Gardes in Crisis claims that the avant-gardes of the late twentieth and early twenty-first centuries are in crisis, in that artmaking both responds to political, economic, and social crises and reveals a crisis of confidence regarding resistance's very possibility. Specifically, this collection casts contemporary avant-gardes as a reaction to a crisis in the reproduction of life that accelerated in the 1970s—a crisis that encompasses living-wage rarity, deadly epidemics, and other aspects of an uneven management of vitality indexed by race, citizenship, gender, sexual orientation, class, and disability. The contributors collectively argue that a minoritarian concept of the avant-garde, one attuned to uneven patterns of resource depletion and infrastructural failure (broadly conceived), clarifies the interplay between art and politics as it has played out, for instance, in discussions of art's autonomy or institutionality. Writ large, this book seeks to restore the historical and political context for the debates on the avant-garde that have raged since the 1970s.
Ladyscaping: A Girl's Guide to Personal Topiary
The definitive handbook on a taboo that nobody has ever had the courage to discuss.. until now that is
