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Artist File
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John Z. Robinson
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John Z. Robinson's, The Dream of Endymion
About the work of artist John Z. Robinson and the mural The dream of Endymion painted by him in a student flat he occupied in Dunedin with some information about student life of the time.
Red Studio
Walk in to Red Studio and let yourself linger amongst John Z Robinson's forty-five prints. They capture intimate relationships and the grace of the male form; they play with art history; they record New Zealand's Deep South; they even toy with ways in which Australian myth infuses our understanding of local history. Throughout this roving, informed catalogue of Robinson's fascinations, there is a constant sense of playfulness and subversion, of knowing pastiche. Serious fun is what we have with John Z Robinson: like the court jester in Shakespeare's plays, he is something of the street-and-court wise clown whose visual puns and unadorned honesty change the way we think. With an introduction by novelist Laurence Fearnley, Red Studio is both an intimate portrait of an artist's development, and a portable exhibition, which readers can let their minds stroll through with the two best possible and companionable guides.
Notes from Grey City
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The Works of John Robinson
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
