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In his eulogy of saxophonist Johnny Hodges (1907-70), Duke Ellington ended with the words, "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes--this was Johnny Hodges. This is Johnny Hodges." Hodges' unforgettable tone resonated throughout the jazz world over the greater part of the twentieth century. Benny Goodman described Hodges as "by far the greatest man on alto sax that I ever heard," and Charlie Parker compared him to Lily Pons, the operatic soprano. As a teenager, Hodges developed his playing style by imitating Sidney Bechet, the New Orleans soprano sax player, then honed it in late-night cuttin...
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Excerpt from What a Curse!, Or Johnny Hodges, the Blacksmith: Founded on Fact Can nothing be done to put an end to the evils sof intemperance? Such, at the present day, is a very common interrogatory; not from those alone, at the heart of whose domestic happiness this canker-worm is already at Work; not from those alone, who have lived in unpardonable ignorance of all, that has been so happily accomplished; but from the most enlightened friends of temperance, who keep the run and the record of its way; Who study this deeply-interesting subject, as they study a science; and who, at the same time, are not so blindly in love with a favorite scheme of consum mation, as to forget that no remedy f...