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"A major scholarly achievement, which speaks to multiple disciplines and national traditions...Snyder offers an elegant introduction to the discourse of dissimulation in the courtly world of sixteenth and seventeenth century Europe, then moves beyond to make an important, original intervention on a topic that stands at the center of current debates about modernity."—Albert Ascoli, author of Dante and the Making of a Modern Author "The Baroque is the time of 'Machiavellianism' in politics, ethics, and religion. It is the time of esthetics of ostentation, chiaroscuros, and monumental theatricality. Paradoxically, it is also the time when freedom of thought, the value of dissidence, questions of authenticity, debates about virtues, and practices of confessions come to the fore. Snyder brings all these issues to new life in this deft and powerful book."—Giuseppe Mazzotta, author of The New Map of the World: the Poetic Philosophy of Giambattista Vico
Remembering, Forgetting and City Builders critically explores how urban spaces are designed, planned and experienced in relation to the politics of collective and personal memory construction. Bringing together case studies from North America, South Asia, Eastern Europe and the Middle East, the book analyzes how contested national, ethnic and cultural sentiments clash in planning and experiencing urban spaces. Going beyond the claim that such situations exist in many parts of the world because communities construct their 'past memories' within their current daily life and future aspirations, the book explores how the very acts of planning and urban design are rooted in the existing structures of hegemonic power. With contributors from the fields of architecture, geography, planning, anthropology and sociology, urban studies and cultural studies, the book provides a rich, interdisciplinary view into the conflicts over memory and belonging which are spatially expressed and mediated through the official planning apparatus.
Leading Australian scholars introduce a range of theories, actors, issues, institutions and processes that animate international relations today.
The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.
Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on: colonialism cybercultur globalisation terrorism visual studies. Providing clear and succinct introductions to a wide range of subjects, from feminism to postmodernism, Cultural Theory: The Key Concepts continues to be an essential resource for students of literature, sociology, philosophy and media and anyone wrestling with contemporary cultural theory.
Management research has expanded considerably over recent decades. The impetus for such growth comes from a wide range of forces both inside and outside of the academic community stimulate and regulate its development, while the audience for which management research might be considered to be useful and the extent of that usefulness are highly contested. This book seeks to explore the forces that drive the development of management research, shape its current state and influence its future potential.
This work presents a survey of over 350 of the key terms encountered in cultural theory today, each entry providing explanations for students in a wide range of disciplines. These include literature, cultural studies, sociology and philosophy.
The apostle Paul was a man of many journeys. We are usually familiar with the geographical ones he made in his own time. This volume traces others--Paul's journeys in our time, as he is co-opted or invited to travel (sometimes as abused slave, sometimes as trusted guide) with modern and recent Continental philosophers and political theorists. Kierkegaard, Nietzsche, Heidegger, and Benjamin; Taubes, Badiou, Zizek, and Agamben--Paul journeys here among the philosophers. In these essays you are invited to travel with them into the regions of philosophy, hermeneutics, political theory, and theology. You will certainly hear the philosophers speak. But Paul will not remain silent. Above the sounds of the journey his voice comes through, loud and clear.
This book is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory. It investigates the notions of alterity which underlie the work of Lawrence Durrell and postmodernist theory. Grass (Irmgard Elsner Hunt).
As teachers and readers expand the canon of world literature to include writers whose voices traditionally have been silenced by the dominant culture, fundamental questions arise. What do we mean by "world"? What constitutes "literature"? Who should decide? Reading World Literature is a cumulative study of the concept and evolving practices of "world literature." Sarah Lawall opens the book with a substantial introduction to the overall topic. Twelve original essays by distinguished specialists run the gamut from close readings of specific texts to problems of translation theory and reader response. The sequence of essays develops from re-examinations of traditional canonical pieces through explorations of less familiar works to discussions of reading itself as a "literacy" dependent on worldview. Reading World Literature will open challenging new vistas for a wide audience in the humanities, from traditionalists to avant-garde specialists in literary theory, cultural studies, and area studies.