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The Routledge History of the Holocaust
The genocide of Jewish and non-Jewish civilians perpetrated by the German regime during World War Two continues to confront scholars with elusive questions even after nearly seventy years and hundreds of studies. This multi-contributory work is a landmark publication that sees experts renowned in their field addressing these questions in light of current research. A comprehensive introduction to the history of the Holocaust, this volume has 42 chapters which add important depth to the academic study of the Holocaust, both geographically and topically. The chapters address such diverse issues as: continuities in German and European history with respect to genocide prior to 1939 the eugenic roots of Nazi anti-Semitism the response of Europe's Jewish Communities to persecution and destruction the Final Solution as the German occupation instituted it across Europe rescue and rescuer motivations the problem of prosecuting war crimes gender and Holocaust experience the persecution of non-Jewish victims the Holocaust in postwar cultural venues. This important collection will be essential reading for all those interested in the history of the Holocaust.
The Routledge History of Social Protest in Popular Music
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
The Lion and the Star
The Lion and the Star not only offers an informed glimpse into the intricacies of daily German life but also confirms the continuing danger of making sweeping generalizations about German Jews and non-Jews. In the aftermath of World War II, many viewed the Third Reich as an aberration in German history and laid blame with Hitler and his followers. Since the 1960s, historians have widened their focus, implicating "ordinary" Germans in the demise of German Jewry. Jonathan Friedman addresses this issue by investigation everyday relations between German Jews and their Gentile neighbors. Friedman examines three German communities of different sizes—Frankfurt am Main, Giessen, and Geisenheim. Sy...
Speaking the Unspeakable
Testimonies from the survivors of the Shoah Visual History Foundation form the basis of this study of memory and trauma in relation to women's experiences and sexual behavior during Hitler's reign of terror.Testimonies from the survivors of the Shoah Visual History Foundation form the basis of this study of memory and trauma in relation to women's experiences and sexual behavior during Hitler's reign of terror.
Haunted Laughter
A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.
The Highest Form of Wisdom
A pioneer of Holocaust education in the United States, Saul S. Friedman (1937-2013) was born on March 8, 1937 in Uniontown, Pennsylvania. After receiving his Ph. D. from Ohio State University in 1969, he became a professor in the history department at Youngstown State University, where he taught for nearly forty years. In that time, he developed an international reputation as a leading scholar of the Holocaust, publishing twelve books, dozens of articles and award winning documentaries. He was a leader in the Youngstown Jewish community as well, and he received numerous awards for his service, including the Guardian of the Menorah Award from B'Nai B'rith, the Triumphant Spirit Award from the Youngstown Jewish Community Relations Council, and the Ohio Humanities Council's Richard Bjornson Lifetime Achievement Award for Service to the Humanities. He was also instrumental in the establishment of Holocaust and Genocide Studies at West Chester University in West Chester, Pennsylvania. The culmination of his work came in 2000, when he received an endowment from the Clayman Family of Youngstown to establish a Judaic Studies program at YSU.
Rainbow Jews
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
Consumption and Identity
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Performing Difference
Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from Southern and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the 'other' in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well.
Globalization, the State, and Violence
Friedman and a distinguished group of contributors offer a compelling analysis of globalization and the lethal explosiveness that characterizes the current world order. In particular, they investigate global processes and political forces that determine networks of crime, commerce and terror, and reveal the economic, social and cultural fragmentation of transnational networks. In a critical introduction, Friedman evaluates how transnational capital represents a truly global force, but geographical decentralization of accumulation still leads to declining state hegemony in some areas and increasing hegemony in others. The authors examine the growth and increasing autonomy of indigenous popula...
