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'I would rather have been a pianist than anything,' Sybil Thorndike said late in her life, but posterity would never know her as anything other than a majestic actress of stage and screen, whether alongside Marilyn Monroe and Laurence Olivier, or, most famously, as Bernard Shaw's Saint Joan. In this authorized biography, written with unique access to the Thorndike family archive and using hundreds of her unpublished letters, Jonathan Croall has written an engaging, sympathetic, yet critical account of one of the most remarkable women of the twentieth century. As a young actress, Thorndike spent three years traveling around America, playing over a hundred Shakespearean parts.
A. S. Neill was arguably the most famous child educator of the twentieth century. He was certainly the most controversial. All over the world, countless parents and teachers have been shocked, delighted or inspired by his subversive ideas about education, or by a visit to ‘that dreadful school’ which continues to this day – Summerhill. First published in 1983, this sympathetic but critical exploration of his iconoclastic ideas and personality is the result of interviews with two hundred ex-pupils, parents and teachers about life at Summerhill, and of the practicality of Neill’s philosophy about child freedom. Jonathan Croall has also drawn on many unpublished letters and documents, which help to illuminate Neill’s personal struggles, and his analysis and friendship with Homer Lane, Wilhelm Stekel and Wilhelm Reich. The result is a fascinating and revealing portrait of a remarkable man who, in his absolute determination to be ‘on the side of the child’, remained in permanent opposition to the adult world.
King Lear is arguably the most complex and demanding play in the whole of Shakespeare. Once thought impossible to stage, today it is performed with increasing frequency, both in Britain and America. It has been staged more often in the last fifty years than in the previous 350 years of its performance history, its bleak message clearly chiming in with the growing harshness, cruelty and violence of the modern world. Performing King Lear offers a very different and practical perspective from most studies of the play, being centred firmly on the reality of creation and performance. The book is based on Jonathan Croall's unique interviews with twenty of the most distinguished actors to have unde...
First published in 1983, this sympathetic but critical exploration of his iconoclastic ideas and personality is the result of interviews with two hundred ex-pupils, parents and teachers about life at Summerhill, and of the practicality of Neill's philosophy about child freedom. The result is a fascinating and revealing portrait of a remarkable man who, in his absolute determination to be 'on the side of the child', remained in permanent opposition to the adult world.
Fifty years ago Sir Peter Hall directed the English language world premiere of Samuel Backett's Waiting for Godot. Now he has returned to this extraordinary classic, the quintessential absurdist piece that has become one of the most important works of modern drama. Jonathan Croall, who had access to rehearsals for this landmark anniversary production, combines an account of this theatrical journey with an informative history of the play that has intrigued, baffled, provoked and entertained all those who have ever come across Vladimir, Estragon and the ever elusive Godot. Foreword by Sir Peter Hall.
Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satis...
Great Shakespeare Actors provides a series of well-informed, well-written, illuminating, and entertaining accounts of many of the most famous stage performers of Shakespeare in both England and America, offering a concise, actor-centred history of Shakespeare on the stage.
This unusual collection of short stories captures the essence of life in the theatre. Behind the superficial glamour lies a world marked by ambition, jealousy and heartache.
'A glorious compendium of John's scintillating irreverences and fabulous faux pas... He was one of the greatest of all theatrical personalities, and these utterly characteristic throwaway squibs bring him vividly back to life.' Simon Callow This delicious feast of "Gielgoodies", compiled by Gielgud's biographer, reveals a less well-known side to this celebrated man of the theatre: his lightning wit, his love of scandal and gossip, his wicked delight in putting down his fellow-artists, his relish of bawdy humour. Full of startling new material, drawn from many unpublished letters and Jonathan Croall's extensive interviews, the book also celebrates the man who dropped a thousand bricks. Gielgud's excruciating gaffes were legendary, and here are both the famous and the unknown, collected in all their glory. Whether committed backstage, in the wings or in rehearsals, on film sets or in television studios, they bring this merry and much-loved man vividly to life.