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Clear Word and Third Sight examines the strands of a collective African diasporic consciousness represented in the work of a number of Black Caribbean writers. Catherine A. John shows how a shared consciousness, or third sight, is rooted in both pre- and postcolonial cultural practices and disseminated through a rich oral tradition. This consciousness has served diasporic communities by creating an alternate philosophical worldsense linking those of African descent across space and time. Contesting popular discourses about what constitutes culture and maintaining that neglected strains in negritude discourse provide a crucial philosophical perspective on the connections between folk practices, cultural memory, and collective consciousness, John examines the diasporic principles in the work of the negritude writers Leon Damas, Aime Cesaire, and Leopold Senghor. She traces the manifestations and reworkings of their ideas in Afro-Caribbean writing from the eastern and French Caribbean, as well as the Caribbean diaspora in the United States. The authors she discusses include Jamaica Kincaid, Earl Lovelace, Simone Schwarz-Bart, Audre Lorde, Paule Marshall, and Edouard Glissant, amon
Erin has always taken care of everyone else A skilled chef, she’s in a rut at work, slightly overweight and eager to distance herself from her clinging sister. Accepting a position as chef at a fishing lodge she takes advantage of the opportunity to travel by boat. She clashes with the captain, but when they’re shipwrecked along with two other passengers, they find they have much in common. This time, taking care of others has unexpected consequences – in more ways than one.
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Reprint of the original, first published in 1881.