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Auschwitz, Poland, and the Politics of Commemoration, 1945–1979
Few places in the world carry as heavy a burden of history as Auschwitz. Recognized and remembered as the most prominent site of Nazi crimes, Auschwitz has had tremendous symbolic weight in the postwar world. Auschwitz, Poland, and the Politics of Commemoration is a history of the Auschwitz memorial site in the years of the Polish People's Republic. Since 1945, Auschwitz has functioned as a memorial and museum. Its monuments, exhibitions, and public spaces have attracted politicians, pilgrims, and countless participants in public demonstrations and commemorative events. Jonathan Huener's study begins with the liberation of the camp and traces the history of the State Museum at Auschwitz from...
Medicine and Medical Ethics in Nazi Germany
The participation of German physicians in medical experiments on innocent people and mass murder is one of the most disturbing aspects of the Nazi era and the Holocaust. Six distinguished historians working in this field are addressing the critical issues raised by these murderous experiments, such as the place of the Holocaust in the larger context of eugenic and racial research, the motivation and roles of the German medical establishment, and the impact and legacy of the eugenics movements and Nazi medical practice on physicians and medicine since World War II. Based on the authors' original scholarship, these essays offer an excellent and very accessible introduction to an important and controversial subject. They are also particularly relevant in light of current controversies over the nature and application of research in human genetics and biotechnology.
Poland under German Occupation, 1939-1945
As a unique and innovative addition to the scholarship on Nazi Germany, the Holocaust, and modern Polish history, this volume provides fresh analysis on the Nazi occupation of Poland. Through new questions and engaging untapped sources the leading historians who have contributed to this volume provide original scholarship to steer debates and expand the historiography surrounding Nazi racial and occupation policies, Polish and Jewish responses to them, persecution, police terror, resistance, and complicity.
The Arts in Nazi Germany
"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.
The Polish Catholic Church under German Occupation
When Nazi Germany invaded Poland in 1939, it aimed to destroy Polish national consciousness. As a symbol of Polish national identity and the religious faith of approximately two-thirds of Poland's population, the Roman Catholic Church was an obvious target of the Nazi regime's policies of ethnic, racial, and cultural Germanization. Jonathan Huener reveals in The Polish Catholic Church under German Occupation that the persecution of the church was most severe in the Reichsgau Wartheland, a region of Poland annexed to Nazi Germany. Here Catholics witnessed the execution of priests, the incarceration of hundreds of clergymen and nuns in prisons and concentration camps, the closure of churches, ...
The Law in Nazi Germany
While we often tend to think of the Third Reich as a zone of lawlessness, the Nazi dictatorship and its policies of persecution rested on a legal foundation set in place and maintained by judges, lawyers, and civil servants trained in the law. This volume offers a concise and compelling account of how these intelligent and welleducated legal professionals lent their skills and knowledge to a system of oppression and domination. The chapters address why German lawyers and jurists were attracted to Nazism; how their support of the regime resulted from a combination of ideological conviction, careerist opportunism, and legalistic selfdelusion; and whether they were held accountable for their Nazi-era actions after 1945. This book also examines the experiences of Jewish lawyers who fell victim to anti-Semitic measures. The volume will appeal to scholars, students, and other readers with an interest in Nazi Germany, the Holocaust, and the history of jurisprudence.
E. M Forster and Music
The first book focused on the political resonances of E. M. Forster's engagement with and representations of music.
Photography and the Making of the Nazi Racial Community
Photography and the Making of the Nazi Racial Community examines the role of photography in the construction of the Nazi Volksgemeinschaft, a racially exclusive community, during the Third Reich. Julie R. Keresztes explores how the dictatorship promoted photography for those who belonged to that community and excluded Jews from the practice. As Nazi officials dispossessed Jewish photographers and robbed them of their equipment, studios, and eventually their lives, they made photography more accessible to non-Jewish Germans. But they inadvertently created spaces for photography to be used as resistance and revenge in concentration camps, where forced laborers salvaged photographs that exposed...
Culture in Nazi Germany
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to ...
Marking Modern Movement
Imagine yourself in Weimar Germany: you are visually inundated with depictions of dance. Perusing a women’s magazine, you find photograph after photograph of leggy revue starlets, clad in sequins and feathers, coquettishly smiling at you. When you attend an art exhibition, you encounter Otto Dix’s six-foot-tall triptych Metropolis, featuring Charleston dancers in the latest luxurious fashions, or Emil Nolde’s watercolors of Mary Wigman, with their luminous blues and purples evoking her choreographies’ mystery and expressivity. Invited to the Bauhaus, you participate in the Metallic Festival, and witness the school’s transformation into a humorous, shiny, technological total work of...
