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Jonathan's Loves, David's Laments uses early modern musical interpretations of David's Lament over Saul and Jonathan to deepen the historicist foundations of contemporary feminist and gay relational theologies. After laying out how gay theologian Gary David Comstock connects the story of David and Jonathan to the theology of lesbian theologian Carter Heyward, the argument interrogates both theological and exegetical problems in making those connections, which include contradictory theological stances with regard to modernity and history as well as the indeterminacy of the biblical text. Early modern musical interpretations of the text allow for a double move of engaging the texts through a sensual medium, thus reinforcing queer possibilities for meaning-making from the biblical text, and staying attuned to the fact that the history of interpretation reinforces the indeterminacy of the text, thus keeping queer interpretations aware of the relativizing function of historical difference.
Preaching 2022 Book of the Year Haddon Robinson's widely used and influential text, Biblical Preaching, has influenced generations of students and preachers. In The Big Idea Companion for Preaching and Teaching, trusted leading evangelical homileticians, teachers of preaching, and experienced pastors demonstrate that Robinson's "big idea" approach to expository preaching still works in today's diverse cultures and fast-paced world. This accessible resource offers an insider's view on figuring out the big idea of each book of the Bible, helping preachers and teachers check their interpretation of particular biblical books and passages. The contributors offer tips on how to divide each book of the Bible into preaching and teaching passages, guidance on difficult passages and verses, cultural perspectives for faithful application, and suggested resources for interpreting, preaching, and teaching. Pastors, teachers, Bible study leaders, small groups, and college and seminary students and professors will find a wealth of valuable information in this resource.
I heard him staggering down the hallway, banging into the banister sloshing his drink of choice, most likely a gin and tonic, along the way. As he reached for her door, I felt my airways constrict and the walls of the room close in around me. My body stiffened, and my senses numbed, as I listened for the faint squeak of my bedroom door to open softly. I am, 17 year-old aristocratic-born Candace Spencer, and I quickly recognized the monster that prowled the darkness of my sanctuary. My breath faded as the muscular figures slithered into my room and onto my body. My nightmare only lasted a few minutes several times a week but I lost a part of my soul a little bit more during each horrific mome...
Popular for its highly visual, clinical approach, Medical Genetics: First South Asia Edition delivers an accessible yet thorough understanding of this active and fast-changing field. Key updates in this new edition cover the latest developments which are integrated with clinical practice to emphasize the central principles and how they apply to practice. Photographs, illustrations, and tables, along with boxes containing patient/family vignettes demonstrate clinical relevance and enhance visual impact of the material for easier and more effective learning and retention. Mini-summaries, study questions, suggested reading, and a detailed glossary supplement and reinforce what you learn from the text. More than 230 photographs, illustrations, and tables, along with patient/family vignettes clarify difficult concepts and demonstrate clinical significance. Clinical Commentary Boxes help demonstrate how the hard science of genetics has real applications to everyday patient problems and prepare you for problem-based integrated courses
Downey uses Oscar Wilde's Salome and Andre Gide's Saul to discuss censorship of biblical drama from the sixteenth century through the nineteenth century.
Mike Nichols burst onto the American cultural scene in the late 1950s as one half of the comic cabaret team of Nichols and May. He became a Broadway directing sensation, then moved on to Hollywood, where his first two films--Who's Afraid of Virginia Woolf? (1966) and The Graduate (1967)--earned a total of 20 Academy Award nominations. Nichols won the 1968 Oscar for Best Director and later joined the rarefied EGOT (Emmy, Grammy, Oscar, Tony) club. He made many other American cinematic classics, including Catch-22 (1970), Carnal Knowledge (1971), Silkwood (1983), Working Girl (1988), Postcards from the Edge (1990), and his late masterpieces for HBO, Wit (2001) and Angels in America (2003). Filmmakers like Steven Spielberg and Steven Soderbergh regard him with reverence. This first full-career retrospective study of this protean force in the American arts begins with the roots of his filmmaking in satirical comedy and Broadway theatre and devotes separate chapters to each of his 20 feature films. Nichols' permanent achievements are his critique of the ways in which culture constructs conformity and his tempered optimism about individuals' liberation by transformative awakening.
First published in 1897, Bram Stoker's Dracula has never been out of print. Yet most people are familiar with the title character from the movies. Count Dracula is one of the most-filmed literary characters in history--but has he (or Stoker's novel) ever been filmed accurately? In its third edition, this study focuses on 18 adaptations of Dracula from 1922 to 2012, comparing them to the novel and to each other. Fidelity to the novel does not always guarantee a good movie, while some of the better films are among the more freely adapted. The Universal and Hammer sequels are searched for traces of Stoker, along with several other films that borrow from the novel. The author concludes with a brief look at four latter-day projects that are best dismissed or viewed for ironic laughs.
Ghosts of Brandywine, Justice for Jessey By: Deriek L Hairston This historical novel is an excellent read because of the insurmountable odds when the main character gathers evidence to prove the innocence of a slave in the 1800s. Elizabeth (Beth) Williams, a black Mississippi -born girl, travels between 21st century Brandywine, Maryland, and 19th century Brandywine slave plantations. The ghosts of Brandywine are souls waiting for justice so they may cross over and rest in peace. The narrator of the book is Beth’s three times great-grandmother Elizabeth Thornton, who died in the 19th century. She chose to return to help Beth as she gathers evidence to prove the innocence of Jessey, a slave in the 1800s. Jessey tells Beth how he was hung for murdering his slave master and father. Jessey says “he did not kill anybody, but he know who did it.” Not only a mystery, this is also a love story between Beth and her well-to-do husband, Johnathan.
The story of David and Goliath existed in antiquity in two variant literary editions, a short version found in the Greek tradition of Codex Vaticanus (LXXB) and a longer version found in the Hebrew tradition of the MT. Benjamin J. M. Johnson proposes that each version is worthy of study in its own right and offers a close literary reading of the narrative of David and Goliath in the Greek text of 1 Reigns 16-18. The author explores a method for reading the Septuagint that recognizes it is both a document in its own right and a translation of a Hebrew original. In offering a reading of the septuagintal version of the David and Goliath narrative, the literary difference between the two versions of the story and the literary significance of the Greek translation are highlighted.
A great deal of biblical scholarship is written for academics and fails to edify readers or strengthen their Christian ministry. Yet, Christians need to be nourished by the word of God so they can mature in faith and righteousness. Filling this gap, The Branch Exposition of the Bible is a resource for preachers, scholars and ordinary Christians alike, to help open God’s word and shed its light into life, ministry and teaching. Inspired by the words of the great reformer Martin Luther about shaking every branch of Scripture, and with experience in ministering across Africa, India and the West, Michael A. Eaton helps us understand the meaning of the Bible and taste its fruit. Together with the New Testament volume, this exposition of the Old Testament accessibly engages with the biblical languages, gives application for our lives and leads us through each book of the Old Testament so that we can meet the resurrected Jesus Christ in the pages of Scripture.