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This volume is an exploration of the image that is the Traveller/Gypsy, the migrant and the “Other”. Rapid developments as relating to the global flows of cultural diaspora have both overcome spatial/temporal distance and separation and have created enhanced necessity for the exploration of issues relating to cross-cultural and identity representation. In an age of mass migration and mass-media dissemination, a wide combination of forces have ruptured and blurred the borders of the modern nation-state. These forces have created the trans-national contexts for scholarly enquiry as relating to such scholarly disciplines as Irish Studies, Traveller Studies, Romani Studies and Diaspora and Migration Studies. As outlined in these essays, the diversity that encompasses traditionally migrant and diaspora communities such as Travellers and Gypsies frequently disrupt those narratives which have defined hitherto dominant cultures and thereby serve to hybridise the discourse.
"Overturns conventional thinking that the Western genre is essentially conservative. Instead, Brode demonstrates that Hollywood liberals used Westerns to espouse a progressive agenda on a range of issues, including gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Doug Brode takes a new look at dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men"--
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Modular Remediation Testing Systems documents a unique modular testing environment designed for use in the development of remediation technology and for on-site selection of remedial technologies. This complete design and operation manual gives you the tools you need to conduct successful, cost effective remediation projects. The major attributes of this system, the Experimental Controlled Release System (ECRS), that distinguish it from past test facilities include the following: Portable - shippable to the researcher's location or remediation site Tightly sealable - facilitates mass balance Large pilot-scale facility - step below full-scale demonstration Flexible testing conditions - vadose...
The Irish Classical Self considers the role of classical languages and learning in the construction of cultural identities in eighteenth and nineteenth century Ireland. Focusing in particular on the "lower ranks" of society, it explores this unusual phenomenon through analysis of contemporary writings and records of classical hedge schools.
Principles and Practices for Petroleum Contaminated Soils includes some of the best research and practical work done by top researchers in the field-both in industry and academia. It covers fundamental and advanced topics, such as analysis and site assessment, techniques (e.g., vacuum extraction, asphalt incorporation), and case studies. The book will interest anyone working with contaminated soils, ground water, and underground storage tanks. It will also be a valuable reference for regulatory personnel and environmental consultants at all levels.
Dancing at the crossroads used to be young people ́s opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland - until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, ́dancing at the crossroads ́ also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity. Helena Wulff is Associate Professor of Social Anthropology at Stockholm University. Publications include Twenty Girls (Almqvist & Wiksell International, 1988), Ballet across Borders (Berg, 1998), Youth Cultures (co-edited with Vered Amit-Talai, Routledge, 1995), New Technologies at Work (co-edited with Christina Garsten, Berg, 2003). Her research focusses on dance, visual culture, and Ireland.
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