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She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.
Since its publication in 1908, Anne of Green Gables has been a continuous international best-seller, enjoying successful television adaptations on PBS and The Disney Channel, and captivating children and adults alike with the irresistible charms of its remarkable heroine, Anne Shirley. This wildly imaginative, red-headed chatterbox tries to fit into the narrow confines of Victorian expectations, but her exuberant spirit keeps leaping delightfully beyond the bounds. Indeed, when Maud Montgomery decided to reject the sermonizing formulas of the children's books of her day, she brought to life a character much closer to Jane Eyre, David Copperfield, and Tom Sawyer--also orphans, like Anne--than...
This is an official account of events that led to the evolution of GameGavel, RETRO magazine, the RETRO VGS, and the Coleco Chameleon written by somebody who was involved and had inside information that has never been published before. It is a factual account of events, but more than that, it is a human story of the man behind the GameGavel Network and the Retro VGS / Coleco Chameleon and shows how one man's dream can quickly become a nightmare. Mike Kennedy set out with good intentions and wanted to produce a video game console but somewhere along the way he lost control of his vision, his empire, and his livelihood. At any stage, he could have stopped the descent into madness but he chose to double down and forge ahead with one of the biggest scams in video game history. Join Mike on his journey from hobby gamer to C.E.O. and back again and experience his highs and lows along the way.
In the context of de/colonization, the boundary between an Aboriginal text and the analysis by a non-Aboriginal outsider poses particular challenges often constructed as unbridgeable. Eigenbrod argues that politically correct silence is not the answer but instead does a disservice to the literature that, like all literature, depends on being read, taught, and disseminated in various ways. In Travelling Knowledges, Eigenbrod suggests decolonizing strategies when approaching Aboriginal texts as an outsider and challenges conventional notions of expertise. She concludes that literatures of colonized peoples have to be read ethically, not only without colonial impositions of labels but also with the responsibility to read beyond the text or, in Lee Maracle’s words, to become “the architect of great social transformation.” Features the works of: Jeannette Armstrong (Okanagan), Louise Halfe (Cree), Margo Kane (Saulteaux/Cree), Maurice Kenny (Mohawk), Thomas King (Cherokee, living in Canada), Emma LaRocque (Cree/Metis), Lee Maracle (Sto:lo/Metis), Ruby Slipperjack (Anishnaabe), Lorne Simon (Miíkmaq), Richard Wagamese (Anishnaabe), and Emma Lee Warrior (Peigan).
First Nations peoples believe the eagle flies with a female wing and a male wing, showing the importance of balance between the feminine and the masculine in all aspects of individual and community experiences. Centuries of colonization, however, have devalued the traditional roles of First Nations women, causing a great gender imbalance that limits the abilities of men, women, and their communities in achieving self-actualization.Restoring the Balance brings to light the work First Nations women have performed, and continue to perform, in cultural continuity and community development. It illustrates the challenges and successes they have had in the areas of law, politics, education, community healing, language, and art, while suggesting significant options for sustained improvement of individual, family, and community well-being. Written by fifteen Aboriginal scholars, activists, and community leaders, Restoring the Balance combines life histories and biographical accounts with historical and critical analyses grounded in traditional thought and approaches. It is a powerful and important book.
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
New in paperback 2003. Here is a compilation of the best critical essays on this enduring classic. Selections focus on the many perspectives from which Anne of Green Gables is viewed. Is it children's literature, or does it fit a different area of literary scholarship? Each of the articles breaks new ground in the literary criticism of Montgomery's book. Also included is a comprehensive bibliographic guide to the research and criticism of Anne, from the earliest reviews to the most recent essays. Contributors: Temma R. Berg, Susan Drain, Carol Gay, Nancy Huse, Susan Jackson, Eve Kornfeld, T.D. MacLulich, Perry Nodelman, Mavis Reimer, Catherine Ross, Mary Rubio, Marilyn Solt, Gillian Thomas, Janet Weiss-Townsend, and Muriel Whitaker.
In this long-awaited book from one of the most recognized and respected scholars in Native Studies today, Emma LaRocque presents a powerful interdisciplinary study of the Native literary response to racist writing in the Canadian historical and literary record from 1850 to 1990. In When the Other is Me, LaRocque brings a metacritical approach to Native writing, situating it as resistance literature within and outside the postcolonial intellectual context. She outlines the overwhelming evidence of dehumanization in Canadian historical and literary writing, its effects on both popular culture and Canadian intellectual development, and Native and non-Native intellectual responses to it in light of the interlayered mix of romanticism, exaggeration of Native difference, and the continuing problem of internalization that challenges our understanding of the colonizer/colonized relationship.
L.M. Montgomery’s Anne of Green Gables is one of the best-known and most enduringly popular novels of the twentieth century. First published in 1908, it has never been out of print, and it continues, nearly a century after its first appearance, to appeal to new readers in many locations around the world. Anne of Green Gables is the story of how a little girl, adopted from an orphan asylum by a brother and sister seeking a boy to help them on their Prince Edward Island farm, grows to responsible young adulthood and, as she grows, brings light and life to her adoptive home. Although it is, as Montgomery described it in her journal, a “simple little tale,” it has nonetheless generated not...
The Dignity of Every Human Being studies the vibrant New Brunswick artistic community which challenged the tyranny of the Group of Seven with socially-engaged realism in the 1930s and 40s. Using extensive archival and documentary research, Kirk Niergarth follows the work of regional artists such as Jack Humphrey and Miller Brittain, writers such as P.K. Page, and crafts workers such as Kjeld and Erica Deichmann. The book charts the rise and fall of social modernism in the Maritimes and the style's deep engagement with the social and economic issues of the Great Depression and the Popular Front. Connecting local, national, and international cultural developments, Niergarth's study documents the attempts of Depression-era artists to question conventional ideas about the nature of art, the social function of artists, and the institutions of Canadian culture. The Dignity of Every Human Being records an important and previously unexplored moment in Canadian cultural history.