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José Diniz creció escuchando historias sobre submarinos, ataques aéreos y naufragios. El niño miraba el mar preguntándose qué submarinos podrían estar bajo el agua. Pronto se convirtieron en sus temas de diseño. De adulto, creció su interés por los submarinos y las historias marinas. En "O Céu Comes Below", Diniz se une a una línea contemporánea de fotógrafos narrativos que, a través de refinados experimentos con el lenguaje, produjeron el género fotográfico conocido como documental imaginario.
Diniz toured the coastline of Brazil to the south of Maranhao - extending to Uruguay - for more than eight years photographing people, buildings, the horizon, the sky and the sea, with a very particular perspective - a fear of water.
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This book represents a significant contribution to the debates surrounding globalization and local systems of innovation. The diverse perspectives on global and local processes combined with original insights on developing countries should be of value to scholars and students of economics, social science, political science and business administration. The book should also be of interest to policymakers in governmental and non-governmental bodies, particularly international development agencies.
This comprehensive volume discusses the patterns and processes analyzed in macroecology with a distinct look at the theoretical and methodological issues underlying the discipline as well as deeper epistemological matters. The book serves as a synthesis of macroecological literature that has been published since Brown and Maurer proposed and defined the term “macroecology” in 1989. Author José Alexandre Felizola Diniz-Filho draws from the different disciplines and branches (ecology, evolutionary biology, physiology, behavioral sciences, climatology, and paleontology) that make up macroecology to present a full, holistic picture of where the discipline stands. Through ten chapters, Diniz...
Besides national productions, transnational films that result from agreements with ex-colonies now engage with the legacy of Portugal's colonial history and its powerful myths of cultural identity such as lusophony and lusotropicalism. This volume analyses the negotiations of ideas on identity and difference in both production modes.
Over the past decade, the Portuguese Psychoanalytical Society took the opportunity to restructure and redefine their organisation. As part of this process, they invited outstanding psychoanalysts from all over the world to present their thoughts, reflections, and clinical investigations. These conferences, workshops, and working groups helped shape the modern society, bringing in vibrant new ideas. The Lisbon Lectures showcases the best of these significant contributions with chapters from David Bell, Franco Borgogno, Luis J. Martin Cabre, R. D. Hinshelwood, Howard B. Levine, Andrea Marzi, Sergio Eduardo Nick, Leopold Nosek, Fernando Orduz, Eric Smadja, and Virginia Ungar. Each chapter begin...