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First multi-year cumulation covers six years: 1965-70.
First multi-year cumulation covers six years: 1965-70.
The series presents outstanding monographic interpretations of Nietzsche's work as a whole or of specific themes and aspects. These works are written mostly from a philosophical, literary, communication science, sociological or historical perspective. The publications reflect the current state of research on Nietzsche's philosophy, on his sources, and on the influence of his writings. The volumes are peer-reviewed.
This vanguard collection of original and in-depth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries and considers the reasons why a common Modernist project took shape when and in the circumstances that it did. These changes occurred precisely when the distinctively modern disciplines of psychology, psychiatry, and psychoanalysis established their "scientific foundations and achieved the forms in which we largely know them today. This volume examines the dense web of connections joining the aesthetic and psychological realms in the modern era, charting historically the emergence of the ongoing modern discussion surrounding such issues as identity-formation, sexuality, and the unconscious. The contributors form a distinguished and diversified group of scholars, who write about a wide range of cultural fields, including philosophy, the novel and poetry, drama, dance, film and photography, as well as medicine, psychology, and the occult sciences.
Acknowledgements To Users of this Research Guide I. Introduction II. Introducing Wagner: Compendia and Other Survey Studies III. Researching Wagner: Reference Works of Various Kinds IV. The Documentary Legacy V. Wagner's Life and Character VI. Wagner as Composer: Studies in Techniques, Styles, and Influences VII. Wagner as Music-Dramatist VIII. Wagner as Instrumental and Vocal Composer and Arranger IX. Performing Wagner X. Wagner as Poet, Prose Writer, and Philosopher XI. Criticizing Wagner XII. Wagner and Culture, Past and Present XIII. After Wagner: Bayreuth, the Festivals, and Wagner's Descendents Index
The profound impact of Jean-Jacques Rousseau on Western thought has been frequently examined, yet the extent of Goethe's relationship to Rousseau has never before received thorough study. Carl Hammer Jr. here analyzes Goethe's works, paying particular attention to his mature production, to reveal the profound affinities of thought between these two European giants. Scholars have long recognized the direct influence of Rousseau on Goethe's first novel, Werther, but have believed that Goethe's enthusiasm waned thereafter. Hammer, in contrast, finds the affinity revealed even more strongly in Goethe's later works.
Fact and Fiction explores the intersection between literature and the sciences, focusing on German and British culture between the eighteenth century and today. Observing that it was in the eighteenth century that the divide between science and literature as disciplines first began to be defined, the contributors to this collection probe how authors from that time onwards have assessed and affected the relationship between literary and scientific cultures. Fact and Fiction’s twelve essays cover a wide range of scientific disciplines, from physics and chemistry to medicine and anthropology, and a variety of literary texts, such as Erasmus Darwin’s poem The Botanic Garden, George Eliot’s Daniel Deronda, and Goethe’s Elective Affinities. The collection will appeal to scholars of literature and of the history of science, and to those interested in the connections between the two.
This volume shows that the notions of embodied or situated cognition, which have transformed the scientific study of intelligence have the potential to reorient cultural studies as well. The essays adapt and amplify embodied cognition in such different fields as art history, literature, history of science, religious studies, philosophy, biology, and cognitive science. The topics include the biological genesis of teleology, the dependence of meaning in signs upon biological embodiment, the notion of image schema and the concept of force in cognitive semantics, pictorial self-portraiture as a means to study self-perception, the difference between reading aloud and silent reading as a way to make sense of literary texts, intermodal (kinesthetic) understanding of art, psychosomatic medicine, laughter as a medical and ethical phenomenon, the valuation of laughter and the body in religion, and how embodied cognition revives and extends earlier attempts to develop a philosophical anthropology. (Series A)
One of the most complained about and denigrating social issue that impacts human relationships and friendships is the Know-It-All behavior in all its manifestations and ramifications. Furthermore, most people know and remember vividly the feeling of discomfort and tense trepidation that lasts the duration of an encounter with a Know-It-All. The tens of thousands of Know-It-All related complaints from people of all walks of life, gender and culture helps us to comprehend the magnitude of this exasperating and aggravating social problem. This book is uniquely a first on many fronts, it defines the term Know-It-All, identifies who is a Know-It-All, enumerates in an anecdotic manner the different ways people manifest the Know-It-All behavior, recounts how the Know-It-All behavior makes us feel, details psychologist’s recommendations for curtailing and stopping the Know-It-All behavior, and finally empowers victims with 20 practical ways to peacefully and respectfully shut up a Know-It-All. This well researched book has more than 250 references.
Exploring the connections between Nietzsche's thought and depth psychology, this book sheds new light on the relation between psychology and philosophy. It examines the status and function of Nietzsche's psychological insights within the framework of his thought; explores the formative impact of Nietzsche's "new psychology" on Freud, Adler, Jung, and other major psychoanalysts; and adopts Nietzsche's original psychological insights on the figure and biography of Nietzsche himself. Contributors include Claude Barbre; Eric Blondel; James P. Cadello; Daniel Chapelle; Daniel W. Conway; Claudia Crawford; Jacob Golomb; Deborah Hayden; Robert C. Holub; Ronald Lehrer; Rochelle L. Millen; George Moraitis; Graham Parkes; Carl Pletsch; Weaver Santaniello; Ofelia Schutte; and Robert C. Solomon.